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  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Freedom Ballet, Edinburgh International Festival, 04 August 2022<br />
<br />
The spectacular world-renowned Ukrainian ballet company, Freedom Ballet, are making the journey from Kyiv to celebrate the company’s 20th anniversary at the Edinburgh Fringe. With 14 incredible dancers this outstanding dance collective are excited to share their astonishing, passionate, sensual ballet.<br />
<br />
With sold out tours in more than 30 countries and over 5,000 performances, Ballet Freedom is an adaptation of their hit show ‘Boudoir’, about the moment in life when knowing yourself, your love and your loss, you can truly see yourself in the mirror.<br />
<br />
Alex Todd | Edinburgh Elite Media
    EEm_Freedom_Ballet_AT_04082022_003.JPG
  • Freedom Ballet, Edinburgh International Festival, 04 August 2022<br />
<br />
The spectacular world-renowned Ukrainian ballet company, Freedom Ballet, are making the journey from Kyiv to celebrate the company’s 20th anniversary at the Edinburgh Fringe. With 14 incredible dancers this outstanding dance collective are excited to share their astonishing, passionate, sensual ballet.<br />
<br />
With sold out tours in more than 30 countries and over 5,000 performances, Ballet Freedom is an adaptation of their hit show ‘Boudoir’, about the moment in life when knowing yourself, your love and your loss, you can truly see yourself in the mirror.<br />
<br />
Alex Todd | Edinburgh Elite Media
    EEm_Freedom_Ballet_AT_04082022_001.JPG
  • Freedom Ballet, Edinburgh International Festival, 04 August 2022<br />
<br />
The spectacular world-renowned Ukrainian ballet company, Freedom Ballet, are making the journey from Kyiv to celebrate the company’s 20th anniversary at the Edinburgh Fringe. With 14 incredible dancers this outstanding dance collective are excited to share their astonishing, passionate, sensual ballet.<br />
<br />
With sold out tours in more than 30 countries and over 5,000 performances, Ballet Freedom is an adaptation of their hit show ‘Boudoir’, about the moment in life when knowing yourself, your love and your loss, you can truly see yourself in the mirror.<br />
<br />
Alex Todd | Edinburgh Elite Media
    EEm_Freedom_Ballet_AT_04082022_006.JPG
  • Freedom Ballet, Edinburgh International Festival, 04 August 2022<br />
<br />
The spectacular world-renowned Ukrainian ballet company, Freedom Ballet, are making the journey from Kyiv to celebrate the company’s 20th anniversary at the Edinburgh Fringe. With 14 incredible dancers this outstanding dance collective are excited to share their astonishing, passionate, sensual ballet.<br />
<br />
With sold out tours in more than 30 countries and over 5,000 performances, Ballet Freedom is an adaptation of their hit show ‘Boudoir’, about the moment in life when knowing yourself, your love and your loss, you can truly see yourself in the mirror.<br />
<br />
Alex Todd | Edinburgh Elite Media
    EEm_Freedom_Ballet_AT_04082022_005.JPG
  • Freedom Ballet, Edinburgh International Festival, 04 August 2022<br />
<br />
The spectacular world-renowned Ukrainian ballet company, Freedom Ballet, are making the journey from Kyiv to celebrate the company’s 20th anniversary at the Edinburgh Fringe. With 14 incredible dancers this outstanding dance collective are excited to share their astonishing, passionate, sensual ballet.<br />
<br />
With sold out tours in more than 30 countries and over 5,000 performances, Ballet Freedom is an adaptation of their hit show ‘Boudoir’, about the moment in life when knowing yourself, your love and your loss, you can truly see yourself in the mirror.<br />
<br />
Alex Todd | Edinburgh Elite Media
    EEm_Freedom_Ballet_AT_04082022_004.JPG
  • Freedom Ballet, Edinburgh International Festival, 04 August 2022<br />
<br />
The spectacular world-renowned Ukrainian ballet company, Freedom Ballet, are making the journey from Kyiv to celebrate the company’s 20th anniversary at the Edinburgh Fringe. With 14 incredible dancers this outstanding dance collective are excited to share their astonishing, passionate, sensual ballet.<br />
<br />
With sold out tours in more than 30 countries and over 5,000 performances, Ballet Freedom is an adaptation of their hit show ‘Boudoir’, about the moment in life when knowing yourself, your love and your loss, you can truly see yourself in the mirror.<br />
<br />
Alex Todd | Edinburgh Elite Media
    EEm_Freedom_Ballet_AT_04082022_002.JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.<br />
<br />
Pictured: Grace Horler in the Arabian Dance
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.<br />
<br />
Pictured: Bethany Kingsley-Garner as The Sugar Plum Fairy
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.<br />
<br />
Pictured: Bethany Kingsley-Garner as The Sugar Plum Fairy
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • A scene from the SCOTTISH BALLET production of "The Fairy's Kiss" (Le Baiser de la Fée) at the Theatre Royal, Glasgow.<br />
<br />
Scottish-born choreographer Kenneth MacMillan created The Fairy’s Kiss in 1960 for The Royal Ballet, and Scottish Ballet’s revival marks the 25th anniversary of his death and its first presentation since 1986.<br />
<br />
Inspired by Hans Christian Andersen's fairy tale The Ice Maiden, The Fairy's Kiss tells the story of a boy cursed with a kiss, destined for immortality. Scottish Ballet’s production features new sets and costumes designed by Gary Harris, who worked closely with MacMillan.<br />
<br />
The Fairy’s Kiss will be performed alongside Christopher Hampson’s The Rite of Spring in Glasgow (6-7 October), Edinburgh (11-13 October), Aberdeen (24-25 October), and Inverness (3-4 November). Scottish Ballet will also perform The Fairy’s Kiss at The Royal Opera House, London on 18 and 19 October. This marks the first time that the Company will have performed at this iconic venue.<br />
<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_fariys_Kiss_...jpg
  • A scene from the SCOTTISH BALLET production of "The Fairy's Kiss" (Le Baiser de la Fée) at the Theatre Royal, Glasgow.<br />
<br />
Scottish-born choreographer Kenneth MacMillan created The Fairy’s Kiss in 1960 for The Royal Ballet, and Scottish Ballet’s revival marks the 25th anniversary of his death and its first presentation since 1986.<br />
<br />
Inspired by Hans Christian Andersen's fairy tale The Ice Maiden, The Fairy's Kiss tells the story of a boy cursed with a kiss, destined for immortality. Scottish Ballet’s production features new sets and costumes designed by Gary Harris, who worked closely with MacMillan.<br />
<br />
The Fairy’s Kiss will be performed alongside Christopher Hampson’s The Rite of Spring in Glasgow (6-7 October), Edinburgh (11-13 October), Aberdeen (24-25 October), and Inverness (3-4 November). Scottish Ballet will also perform The Fairy’s Kiss at The Royal Opera House, London on 18 and 19 October. This marks the first time that the Company will have performed at this iconic venue.<br />
<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_fariys_Kiss_...jpg
  • A scene from the SCOTTISH BALLET production of "The Fairy's Kiss" (Le Baiser de la Fée) at the Theatre Royal, Glasgow.<br />
<br />
Scottish-born choreographer Kenneth MacMillan created The Fairy’s Kiss in 1960 for The Royal Ballet, and Scottish Ballet’s revival marks the 25th anniversary of his death and its first presentation since 1986.<br />
<br />
Inspired by Hans Christian Andersen's fairy tale The Ice Maiden, The Fairy's Kiss tells the story of a boy cursed with a kiss, destined for immortality. Scottish Ballet’s production features new sets and costumes designed by Gary Harris, who worked closely with MacMillan.<br />
<br />
The Fairy’s Kiss will be performed alongside Christopher Hampson’s The Rite of Spring in Glasgow (6-7 October), Edinburgh (11-13 October), Aberdeen (24-25 October), and Inverness (3-4 November). Scottish Ballet will also perform The Fairy’s Kiss at The Royal Opera House, London on 18 and 19 October. This marks the first time that the Company will have performed at this iconic venue.<br />
<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_fariys_Kiss_...jpg
  • A scene from the SCOTTISH BALLET production of "The Fairy's Kiss" (Le Baiser de la Fée) at the Theatre Royal, Glasgow.<br />
<br />
Scottish-born choreographer Kenneth MacMillan created The Fairy’s Kiss in 1960 for The Royal Ballet, and Scottish Ballet’s revival marks the 25th anniversary of his death and its first presentation since 1986.<br />
<br />
Inspired by Hans Christian Andersen's fairy tale The Ice Maiden, The Fairy's Kiss tells the story of a boy cursed with a kiss, destined for immortality. Scottish Ballet’s production features new sets and costumes designed by Gary Harris, who worked closely with MacMillan.<br />
<br />
The Fairy’s Kiss will be performed alongside Christopher Hampson’s The Rite of Spring in Glasgow (6-7 October), Edinburgh (11-13 October), Aberdeen (24-25 October), and Inverness (3-4 November). Scottish Ballet will also perform The Fairy’s Kiss at The Royal Opera House, London on 18 and 19 October. This marks the first time that the Company will have performed at this iconic venue.<br />
<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_fariys_Kiss_...jpg
  • A scene from the SCOTTISH BALLET production of "The Fairy's Kiss" (Le Baiser de la Fée) at the Theatre Royal, Glasgow.<br />
<br />
Scottish-born choreographer Kenneth MacMillan created The Fairy’s Kiss in 1960 for The Royal Ballet, and Scottish Ballet’s revival marks the 25th anniversary of his death and its first presentation since 1986.<br />
<br />
Inspired by Hans Christian Andersen's fairy tale The Ice Maiden, The Fairy's Kiss tells the story of a boy cursed with a kiss, destined for immortality. Scottish Ballet’s production features new sets and costumes designed by Gary Harris, who worked closely with MacMillan.<br />
<br />
The Fairy’s Kiss will be performed alongside Christopher Hampson’s The Rite of Spring in Glasgow (6-7 October), Edinburgh (11-13 October), Aberdeen (24-25 October), and Inverness (3-4 November). Scottish Ballet will also perform The Fairy’s Kiss at The Royal Opera House, London on 18 and 19 October. This marks the first time that the Company will have performed at this iconic venue.<br />
<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_fariys_Kiss_...jpg
  • A scene from the SCOTTISH BALLET production of "The Fairy's Kiss" (Le Baiser de la Fée) at the Theatre Royal, Glasgow.<br />
<br />
Scottish-born choreographer Kenneth MacMillan created The Fairy’s Kiss in 1960 for The Royal Ballet, and Scottish Ballet’s revival marks the 25th anniversary of his death and its first presentation since 1986.<br />
<br />
Inspired by Hans Christian Andersen's fairy tale The Ice Maiden, The Fairy's Kiss tells the story of a boy cursed with a kiss, destined for immortality. Scottish Ballet’s production features new sets and costumes designed by Gary Harris, who worked closely with MacMillan.<br />
<br />
The Fairy’s Kiss will be performed alongside Christopher Hampson’s The Rite of Spring in Glasgow (6-7 October), Edinburgh (11-13 October), Aberdeen (24-25 October), and Inverness (3-4 November). Scottish Ballet will also perform The Fairy’s Kiss at The Royal Opera House, London on 18 and 19 October. This marks the first time that the Company will have performed at this iconic venue.<br />
<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_fariys_Kiss_...jpg
  • A scene from the SCOTTISH BALLET production of "The Fairy's Kiss" (Le Baiser de la Fée) at the Theatre Royal, Glasgow.<br />
<br />
Scottish-born choreographer Kenneth MacMillan created The Fairy’s Kiss in 1960 for The Royal Ballet, and Scottish Ballet’s revival marks the 25th anniversary of his death and its first presentation since 1986.<br />
<br />
Inspired by Hans Christian Andersen's fairy tale The Ice Maiden, The Fairy's Kiss tells the story of a boy cursed with a kiss, destined for immortality. Scottish Ballet’s production features new sets and costumes designed by Gary Harris, who worked closely with MacMillan.<br />
<br />
The Fairy’s Kiss will be performed alongside Christopher Hampson’s The Rite of Spring in Glasgow (6-7 October), Edinburgh (11-13 October), Aberdeen (24-25 October), and Inverness (3-4 November). Scottish Ballet will also perform The Fairy’s Kiss at The Royal Opera House, London on 18 and 19 October. This marks the first time that the Company will have performed at this iconic venue.<br />
<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_fariys_Kiss_...jpg
  • A scene from the SCOTTISH BALLET production of "The Fairy's Kiss" (Le Baiser de la Fée) at the Theatre Royal, Glasgow.<br />
<br />
Scottish-born choreographer Kenneth MacMillan created The Fairy’s Kiss in 1960 for The Royal Ballet, and Scottish Ballet’s revival marks the 25th anniversary of his death and its first presentation since 1986.<br />
<br />
Inspired by Hans Christian Andersen's fairy tale The Ice Maiden, The Fairy's Kiss tells the story of a boy cursed with a kiss, destined for immortality. Scottish Ballet’s production features new sets and costumes designed by Gary Harris, who worked closely with MacMillan.<br />
<br />
The Fairy’s Kiss will be performed alongside Christopher Hampson’s The Rite of Spring in Glasgow (6-7 October), Edinburgh (11-13 October), Aberdeen (24-25 October), and Inverness (3-4 November). Scottish Ballet will also perform The Fairy’s Kiss at The Royal Opera House, London on 18 and 19 October. This marks the first time that the Company will have performed at this iconic venue.<br />
<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_fariys_Kiss_...jpg
  • A scene from the SCOTTISH BALLET production of "The Fairy's Kiss" (Le Baiser de la Fée) at the Theatre Royal, Glasgow.<br />
<br />
Scottish-born choreographer Kenneth MacMillan created The Fairy’s Kiss in 1960 for The Royal Ballet, and Scottish Ballet’s revival marks the 25th anniversary of his death and its first presentation since 1986.<br />
<br />
Inspired by Hans Christian Andersen's fairy tale The Ice Maiden, The Fairy's Kiss tells the story of a boy cursed with a kiss, destined for immortality. Scottish Ballet’s production features new sets and costumes designed by Gary Harris, who worked closely with MacMillan.<br />
<br />
The Fairy’s Kiss will be performed alongside Christopher Hampson’s The Rite of Spring in Glasgow (6-7 October), Edinburgh (11-13 October), Aberdeen (24-25 October), and Inverness (3-4 November). Scottish Ballet will also perform The Fairy’s Kiss at The Royal Opera House, London on 18 and 19 October. This marks the first time that the Company will have performed at this iconic venue.<br />
<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_fariys_Kiss_...jpg
  • A scene from the SCOTTISH BALLET production of "The Fairy's Kiss" (Le Baiser de la Fée) at the Theatre Royal, Glasgow.<br />
<br />
Scottish-born choreographer Kenneth MacMillan created The Fairy’s Kiss in 1960 for The Royal Ballet, and Scottish Ballet’s revival marks the 25th anniversary of his death and its first presentation since 1986.<br />
<br />
Inspired by Hans Christian Andersen's fairy tale The Ice Maiden, The Fairy's Kiss tells the story of a boy cursed with a kiss, destined for immortality. Scottish Ballet’s production features new sets and costumes designed by Gary Harris, who worked closely with MacMillan.<br />
<br />
The Fairy’s Kiss will be performed alongside Christopher Hampson’s The Rite of Spring in Glasgow (6-7 October), Edinburgh (11-13 October), Aberdeen (24-25 October), and Inverness (3-4 November). Scottish Ballet will also perform The Fairy’s Kiss at The Royal Opera House, London on 18 and 19 October. This marks the first time that the Company will have performed at this iconic venue.<br />
<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_fariys_Kiss_...jpg
  • A scene from the SCOTTISH BALLET production of "The Fairy's Kiss" (Le Baiser de la Fée) at the Theatre Royal, Glasgow.<br />
<br />
Scottish-born choreographer Kenneth MacMillan created The Fairy’s Kiss in 1960 for The Royal Ballet, and Scottish Ballet’s revival marks the 25th anniversary of his death and its first presentation since 1986.<br />
<br />
Inspired by Hans Christian Andersen's fairy tale The Ice Maiden, The Fairy's Kiss tells the story of a boy cursed with a kiss, destined for immortality. Scottish Ballet’s production features new sets and costumes designed by Gary Harris, who worked closely with MacMillan.<br />
<br />
The Fairy’s Kiss will be performed alongside Christopher Hampson’s The Rite of Spring in Glasgow (6-7 October), Edinburgh (11-13 October), Aberdeen (24-25 October), and Inverness (3-4 November). Scottish Ballet will also perform The Fairy’s Kiss at The Royal Opera House, London on 18 and 19 October. This marks the first time that the Company will have performed at this iconic venue.<br />
<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_fariys_Kiss_...jpg
  • A scene from the SCOTTISH BALLET production of "The Fairy's Kiss" (Le Baiser de la Fée) at the Theatre Royal, Glasgow.<br />
<br />
Scottish-born choreographer Kenneth MacMillan created The Fairy’s Kiss in 1960 for The Royal Ballet, and Scottish Ballet’s revival marks the 25th anniversary of his death and its first presentation since 1986.<br />
<br />
Inspired by Hans Christian Andersen's fairy tale The Ice Maiden, The Fairy's Kiss tells the story of a boy cursed with a kiss, destined for immortality. Scottish Ballet’s production features new sets and costumes designed by Gary Harris, who worked closely with MacMillan.<br />
<br />
The Fairy’s Kiss will be performed alongside Christopher Hampson’s The Rite of Spring in Glasgow (6-7 October), Edinburgh (11-13 October), Aberdeen (24-25 October), and Inverness (3-4 November). Scottish Ballet will also perform The Fairy’s Kiss at The Royal Opera House, London on 18 and 19 October. This marks the first time that the Company will have performed at this iconic venue.<br />
<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_fariys_Kiss_...jpg
  • A scene from the SCOTTISH BALLET production of "The Fairy's Kiss" (Le Baiser de la Fée) at the Theatre Royal, Glasgow.<br />
<br />
Scottish-born choreographer Kenneth MacMillan created The Fairy’s Kiss in 1960 for The Royal Ballet, and Scottish Ballet’s revival marks the 25th anniversary of his death and its first presentation since 1986.<br />
<br />
Inspired by Hans Christian Andersen's fairy tale The Ice Maiden, The Fairy's Kiss tells the story of a boy cursed with a kiss, destined for immortality. Scottish Ballet’s production features new sets and costumes designed by Gary Harris, who worked closely with MacMillan.<br />
<br />
The Fairy’s Kiss will be performed alongside Christopher Hampson’s The Rite of Spring in Glasgow (6-7 October), Edinburgh (11-13 October), Aberdeen (24-25 October), and Inverness (3-4 November). Scottish Ballet will also perform The Fairy’s Kiss at The Royal Opera House, London on 18 and 19 October. This marks the first time that the Company will have performed at this iconic venue.<br />
<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_fariys_Kiss_...jpg
  • A scene from the SCOTTISH BALLET production of "The Fairy's Kiss" (Le Baiser de la Fée) at the Theatre Royal, Glasgow.<br />
<br />
Scottish-born choreographer Kenneth MacMillan created The Fairy’s Kiss in 1960 for The Royal Ballet, and Scottish Ballet’s revival marks the 25th anniversary of his death and its first presentation since 1986.<br />
<br />
Inspired by Hans Christian Andersen's fairy tale The Ice Maiden, The Fairy's Kiss tells the story of a boy cursed with a kiss, destined for immortality. Scottish Ballet’s production features new sets and costumes designed by Gary Harris, who worked closely with MacMillan.<br />
<br />
The Fairy’s Kiss will be performed alongside Christopher Hampson’s The Rite of Spring in Glasgow (6-7 October), Edinburgh (11-13 October), Aberdeen (24-25 October), and Inverness (3-4 November). Scottish Ballet will also perform The Fairy’s Kiss at The Royal Opera House, London on 18 and 19 October. This marks the first time that the Company will have performed at this iconic venue.<br />
<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_fariys_Kiss_...jpg
  • A scene from the SCOTTISH BALLET production of "The Fairy's Kiss" (Le Baiser de la Fée) at the Theatre Royal, Glasgow.<br />
<br />
Scottish-born choreographer Kenneth MacMillan created The Fairy’s Kiss in 1960 for The Royal Ballet, and Scottish Ballet’s revival marks the 25th anniversary of his death and its first presentation since 1986.<br />
<br />
Inspired by Hans Christian Andersen's fairy tale The Ice Maiden, The Fairy's Kiss tells the story of a boy cursed with a kiss, destined for immortality. Scottish Ballet’s production features new sets and costumes designed by Gary Harris, who worked closely with MacMillan.<br />
<br />
The Fairy’s Kiss will be performed alongside Christopher Hampson’s The Rite of Spring in Glasgow (6-7 October), Edinburgh (11-13 October), Aberdeen (24-25 October), and Inverness (3-4 November). Scottish Ballet will also perform The Fairy’s Kiss at The Royal Opera House, London on 18 and 19 October. This marks the first time that the Company will have performed at this iconic venue.<br />
<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_fariys_Kiss_...jpg
  • A scene from the SCOTTISH BALLET production of "The Fairy's Kiss" (Le Baiser de la Fée) at the Theatre Royal, Glasgow.<br />
<br />
Scottish-born choreographer Kenneth MacMillan created The Fairy’s Kiss in 1960 for The Royal Ballet, and Scottish Ballet’s revival marks the 25th anniversary of his death and its first presentation since 1986.<br />
<br />
Inspired by Hans Christian Andersen's fairy tale The Ice Maiden, The Fairy's Kiss tells the story of a boy cursed with a kiss, destined for immortality. Scottish Ballet’s production features new sets and costumes designed by Gary Harris, who worked closely with MacMillan.<br />
<br />
The Fairy’s Kiss will be performed alongside Christopher Hampson’s The Rite of Spring in Glasgow (6-7 October), Edinburgh (11-13 October), Aberdeen (24-25 October), and Inverness (3-4 November). Scottish Ballet will also perform The Fairy’s Kiss at The Royal Opera House, London on 18 and 19 October. This marks the first time that the Company will have performed at this iconic venue.<br />
<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_fariys_Kiss_...jpg
  • A scene from the SCOTTISH BALLET production of "The Fairy's Kiss" (Le Baiser de la Fée) at the Theatre Royal, Glasgow.<br />
<br />
Scottish-born choreographer Kenneth MacMillan created The Fairy’s Kiss in 1960 for The Royal Ballet, and Scottish Ballet’s revival marks the 25th anniversary of his death and its first presentation since 1986.<br />
<br />
Inspired by Hans Christian Andersen's fairy tale The Ice Maiden, The Fairy's Kiss tells the story of a boy cursed with a kiss, destined for immortality. Scottish Ballet’s production features new sets and costumes designed by Gary Harris, who worked closely with MacMillan.<br />
<br />
The Fairy’s Kiss will be performed alongside Christopher Hampson’s The Rite of Spring in Glasgow (6-7 October), Edinburgh (11-13 October), Aberdeen (24-25 October), and Inverness (3-4 November). Scottish Ballet will also perform The Fairy’s Kiss at The Royal Opera House, London on 18 and 19 October. This marks the first time that the Company will have performed at this iconic venue.<br />
<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_fariys_Kiss_...jpg
  • A scene from the SCOTTISH BALLET production of "The Fairy's Kiss" (Le Baiser de la Fée) at the Theatre Royal, Glasgow.<br />
<br />
Scottish-born choreographer Kenneth MacMillan created The Fairy’s Kiss in 1960 for The Royal Ballet, and Scottish Ballet’s revival marks the 25th anniversary of his death and its first presentation since 1986.<br />
<br />
Inspired by Hans Christian Andersen's fairy tale The Ice Maiden, The Fairy's Kiss tells the story of a boy cursed with a kiss, destined for immortality. Scottish Ballet’s production features new sets and costumes designed by Gary Harris, who worked closely with MacMillan.<br />
<br />
The Fairy’s Kiss will be performed alongside Christopher Hampson’s The Rite of Spring in Glasgow (6-7 October), Edinburgh (11-13 October), Aberdeen (24-25 October), and Inverness (3-4 November). Scottish Ballet will also perform The Fairy’s Kiss at The Royal Opera House, London on 18 and 19 October. This marks the first time that the Company will have performed at this iconic venue.<br />
<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_fariys_Kiss_...jpg
  • A scene from the SCOTTISH BALLET production of "The Fairy's Kiss" (Le Baiser de la Fée) at the Theatre Royal, Glasgow.<br />
<br />
Scottish-born choreographer Kenneth MacMillan created The Fairy’s Kiss in 1960 for The Royal Ballet, and Scottish Ballet’s revival marks the 25th anniversary of his death and its first presentation since 1986.<br />
<br />
Inspired by Hans Christian Andersen's fairy tale The Ice Maiden, The Fairy's Kiss tells the story of a boy cursed with a kiss, destined for immortality. Scottish Ballet’s production features new sets and costumes designed by Gary Harris, who worked closely with MacMillan.<br />
<br />
The Fairy’s Kiss will be performed alongside Christopher Hampson’s The Rite of Spring in Glasgow (6-7 October), Edinburgh (11-13 October), Aberdeen (24-25 October), and Inverness (3-4 November). Scottish Ballet will also perform The Fairy’s Kiss at The Royal Opera House, London on 18 and 19 October. This marks the first time that the Company will have performed at this iconic venue.<br />
<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_fariys_Kiss_...jpg
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.<br />
<br />
Pictured: Barnaby Rook Bishop, Thomas Edwards and Simon Schilgen in the Russian Dance
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.<br />
<br />
Pictured: Barnaby Rook Bishop, Thomas Edwards and Simon Schilgen in the Russian Dance
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.<br />
<br />
Pictured: Barnaby Rook Bishop, Thomas Edwards and Simon Schilgen in the Russian Dance
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.<br />
<br />
Pictured: Barnaby Rook Bishop, Thomas Edwards and Simon Schilgen in the Russian Dance
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.<br />
<br />
Pictured: Barnaby Rook Bishop, Thomas Edwards and Simon Schilgen in the Russian Dance
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.<br />
<br />
Pictured: Alice Kawalek and Mia Thompson in the Chinese Dance
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.<br />
<br />
Pictured: Grace Horler in the Arabian Dance
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.<br />
<br />
Pictured: Grace Horler in the Arabian Dance
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.<br />
<br />
Pictured: Grace Horler in the Arabian Dance
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.<br />
<br />
Pictured: Grace Horler in the Arabian Dance
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.<br />
<br />
Pictured: Bethany Kingsley-Garner as The Sugar Plum Fairy
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.<br />
<br />
Pictured: Bethany Kingsley-Garner as The Sugar Plum Fairy
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.<br />
<br />
Pictured: Bethany Kingsley-Garner as The Sugar Plum Fairy
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.<br />
<br />
Pictured: Bethany Kingsley-Garner as The Sugar Plum Fairy
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.<br />
<br />
Pictured: Bethany Kingsley-Garner as The Sugar Plum Fairy
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • Scottish Ballet opens its tour of the festive ballet, The Nutcracker, in Edinburgh on 9 December until 30th January before it moves to  Glasgow, Aberdeen, Inverness and Newcastle.<br />
<br />
Pictured: Bethany Kingsley-Garner as The Sugar Plum Fairy
    SCT_EEm_Nutcracker_Ballet_Edinburgh_...JPG
  • A scene from the SCOTTISH BALLET production of "The Fairy's Kiss" (Le Baiser de la Fée) at the Theatre Royal, Glasgow.<br />
<br />
Scottish-born choreographer Kenneth MacMillan created The Fairy’s Kiss in 1960 for The Royal Ballet, and Scottish Ballet’s revival marks the 25th anniversary of his death and its first presentation since 1986.<br />
<br />
Inspired by Hans Christian Andersen's fairy tale The Ice Maiden, The Fairy's Kiss tells the story of a boy cursed with a kiss, destined for immortality. Scottish Ballet’s production features new sets and costumes designed by Gary Harris, who worked closely with MacMillan.<br />
<br />
The Fairy’s Kiss will be performed alongside Christopher Hampson’s The Rite of Spring in Glasgow (6-7 October), Edinburgh (11-13 October), Aberdeen (24-25 October), and Inverness (3-4 November). Scottish Ballet will also perform The Fairy’s Kiss at The Royal Opera House, London on 18 and 19 October. This marks the first time that the Company will have performed at this iconic venue.<br />
<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_fariys_Kiss_...jpg
  • Pictured: Natalia performs scenes from the ballet.<br />
<br />
Principal dancer with the Royal Ballet, Natalia Osipova, appeared outside the EICC in Edinburgh to promote the up coming world premiere of Hans Christian Andersen's 'The Mother' at the EICC on 21st and 22nd December.<br />
<br />
© Dave Johnston / EEm
    EEm_Royal_Ballet_star_world_premiere...JPG
  • Pictured: Natalia performs scenes from the ballet.<br />
<br />
Principal dancer with the Royal Ballet, Natalia Osipova, appeared outside the EICC in Edinburgh to promote the up coming world premiere of Hans Christian Andersen's 'The Mother' at the EICC on 21st and 22nd December.<br />
<br />
© Dave Johnston / EEm
    EEm_Royal_Ballet_star_world_premiere...JPG
  • Pictured: Natalia performs scenes from the ballet.<br />
<br />
Principal dancer with the Royal Ballet, Natalia Osipova, appeared outside the EICC in Edinburgh to promote the up coming world premiere of Hans Christian Andersen's 'The Mother' at the EICC on 21st and 22nd December.<br />
<br />
© Dave Johnston / EEm
    EEm_Royal_Ballet_star_world_premiere...JPG
  • Pictured: Natalia performs scenes from the ballet.<br />
<br />
Principal dancer with the Royal Ballet, Natalia Osipova, appeared outside the EICC in Edinburgh to promote the up coming world premiere of Hans Christian Andersen's 'The Mother' at the EICC on 21st and 22nd December.<br />
<br />
© Dave Johnston / EEm
    EEm_Royal_Ballet_star_world_premiere...JPG
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Pictured: Natalia performs scenes from the ballet.<br />
<br />
Principal dancer with the Royal Ballet, Natalia Osipova, appeared outside the EICC in Edinburgh to promote the up coming world premiere of Hans Christian Andersen's 'The Mother' at the EICC on 21st and 22nd December.<br />
<br />
© Dave Johnston / EEm
    EEm_Royal_Ballet_star_world_premiere...JPG
  • Pictured: Natalia performs scenes from the ballet.<br />
<br />
Principal dancer with the Royal Ballet, Natalia Osipova, appeared outside the EICC in Edinburgh to promote the up coming world premiere of Hans Christian Andersen's 'The Mother' at the EICC on 21st and 22nd December.<br />
<br />
© Dave Johnston / EEm
    EEm_Royal_Ballet_star_world_premiere...JPG
  • Pictured: Natalia performs scenes from the ballet.<br />
<br />
Principal dancer with the Royal Ballet, Natalia Osipova, appeared outside the EICC in Edinburgh to promote the up coming world premiere of Hans Christian Andersen's 'The Mother' at the EICC on 21st and 22nd December.<br />
<br />
© Dave Johnston / EEm
    EEm_Royal_Ballet_star_world_premiere...JPG
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
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