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  • Pictured: <br />
Star of West End smash hits including Legally Blonde and Funny Girl, Sheridan Smith was in Edinburgh tonight as part of her tour to promote her new album, Sheridan, which was released on 3 November last year.  The Edinburgh Playhouse was the second last date on the tour.  Her time in the Playhouse was disrupted when a fire alarm went off in the afternoon.  Not the best way to relax before a gig.<br />
<br />
Ger Harley | EEm 26 April 2018
    SCT_EEm_Sheridan_Smith_Edinburgh_GER...jpg
  • Pictured: <br />
Star of West End smash hits including Legally Blonde and Funny Girl, Sheridan Smith was in Edinburgh tonight as part of her tour to promote her new album, Sheridan, which was released on 3 November last year.  The Edinburgh Playhouse was the second last date on the tour.  Her time in the Playhouse was disrupted when a fire alarm went off in the afternoon.  Not the best way to relax before a gig.<br />
<br />
Ger Harley | EEm 26 April 2018
    SCT_EEm_Sheridan_Smith_Edinburgh_GER...jpg
  • Pictured: <br />
Star of West End smash hits including Legally Blonde and Funny Girl, Sheridan Smith was in Edinburgh tonight as part of her tour to promote her new album, Sheridan, which was released on 3 November last year.  The Edinburgh Playhouse was the second last date on the tour.  Her time in the Playhouse was disrupted when a fire alarm went off in the afternoon.  Not the best way to relax before a gig.<br />
<br />
Ger Harley | EEm 26 April 2018
    SCT_EEm_Sheridan_Smith_Edinburgh_GER...jpg
  • Pictured: <br />
Star of West End smash hits including Legally Blonde and Funny Girl, Sheridan Smith was in Edinburgh tonight as part of her tour to promote her new album, Sheridan, which was released on 3 November last year.  The Edinburgh Playhouse was the second last date on the tour.  Her time in the Playhouse was disrupted when a fire alarm went off in the afternoon.  Not the best way to relax before a gig.<br />
<br />
Ger Harley | EEm 26 April 2018
    SCT_EEm_Sheridan_Smith_Edinburgh_GER...jpg
  • Pictured: <br />
Star of West End smash hits including Legally Blonde and Funny Girl, Sheridan Smith was in Edinburgh tonight as part of her tour to promote her new album, Sheridan, which was released on 3 November last year.  The Edinburgh Playhouse was the second last date on the tour.  Her time in the Playhouse was disrupted when a fire alarm went off in the afternoon.  Not the best way to relax before a gig.<br />
<br />
Ger Harley | EEm 26 April 2018
    SCT_EEm_Sheridan_Smith_Edinburgh_GER...jpg
  • Pictured: <br />
Star of West End smash hits including Legally Blonde and Funny Girl, Sheridan Smith was in Edinburgh tonight as part of her tour to promote her new album, Sheridan, which was released on 3 November last year.  The Edinburgh Playhouse was the second last date on the tour.  Her time in the Playhouse was disrupted when a fire alarm went off in the afternoon.  Not the best way to relax before a gig.<br />
<br />
Ger Harley | EEm 26 April 2018
    SCT_EEm_Sheridan_Smith_Edinburgh_GER...jpg
  • Pictured: <br />
Star of West End smash hits including Legally Blonde and Funny Girl, Sheridan Smith was in Edinburgh tonight as part of her tour to promote her new album, Sheridan, which was released on 3 November last year.  The Edinburgh Playhouse was the second last date on the tour.  Her time in the Playhouse was disrupted when a fire alarm went off in the afternoon.  Not the best way to relax before a gig.<br />
<br />
Ger Harley | EEm 26 April 2018
    SCT_EEm_Sheridan_Smith_Edinburgh_GER...jpg
  • Pictured: <br />
Star of West End smash hits including Legally Blonde and Funny Girl, Sheridan Smith was in Edinburgh tonight as part of her tour to promote her new album, Sheridan, which was released on 3 November last year.  The Edinburgh Playhouse was the second last date on the tour.  Her time in the Playhouse was disrupted when a fire alarm went off in the afternoon.  Not the best way to relax before a gig.<br />
<br />
Ger Harley | EEm 26 April 2018
    SCT_EEm_Sheridan_Smith_Edinburgh_GER...jpg
  • Pictured: <br />
Star of West End smash hits including Legally Blonde and Funny Girl, Sheridan Smith was in Edinburgh tonight as part of her tour to promote her new album, Sheridan, which was released on 3 November last year.  The Edinburgh Playhouse was the second last date on the tour.  Her time in the Playhouse was disrupted when a fire alarm went off in the afternoon.  Not the best way to relax before a gig.<br />
<br />
Ger Harley | EEm 26 April 2018
    SCT_EEm_Sheridan_Smith_Edinburgh_GER...jpg
  • Pictured: <br />
Star of West End smash hits including Legally Blonde and Funny Girl, Sheridan Smith was in Edinburgh tonight as part of her tour to promote her new album, Sheridan, which was released on 3 November last year.  The Edinburgh Playhouse was the second last date on the tour.  Her time in the Playhouse was disrupted when a fire alarm went off in the afternoon.  Not the best way to relax before a gig.<br />
<br />
Ger Harley | EEm 26 April 2018
    SCT_EEm_Sheridan_Smith_Edinburgh_GER...jpg
  • Pictured: <br />
Star of West End smash hits including Legally Blonde and Funny Girl, Sheridan Smith was in Edinburgh tonight as part of her tour to promote her new album, Sheridan, which was released on 3 November last year.  The Edinburgh Playhouse was the second last date on the tour.  Her time in the Playhouse was disrupted when a fire alarm went off in the afternoon.  Not the best way to relax before a gig.<br />
<br />
Ger Harley | EEm 26 April 2018
    SCT_EEm_Sheridan_Smith_Edinburgh_GER...jpg
  • Pictured: <br />
Star of West End smash hits including Legally Blonde and Funny Girl, Sheridan Smith was in Edinburgh tonight as part of her tour to promote her new album, Sheridan, which was released on 3 November last year.  The Edinburgh Playhouse was the second last date on the tour.  Her time in the Playhouse was disrupted when a fire alarm went off in the afternoon.  Not the best way to relax before a gig.<br />
<br />
Ger Harley | EEm 26 April 2018
    SCT_EEm_Sheridan_Smith_Edinburgh_GER...jpg
  • Pictured: <br />
Star of West End smash hits including Legally Blonde and Funny Girl, Sheridan Smith was in Edinburgh tonight as part of her tour to promote her new album, Sheridan, which was released on 3 November last year.  The Edinburgh Playhouse was the second last date on the tour.  Her time in the Playhouse was disrupted when a fire alarm went off in the afternoon.  Not the best way to relax before a gig.<br />
<br />
Ger Harley | EEm 26 April 2018
    SCT_EEm_Sheridan_Smith_Edinburgh_GER...jpg
  • Pictured: <br />
Star of West End smash hits including Legally Blonde and Funny Girl, Sheridan Smith was in Edinburgh tonight as part of her tour to promote her new album, Sheridan, which was released on 3 November last year.  The Edinburgh Playhouse was the second last date on the tour.  Her time in the Playhouse was disrupted when a fire alarm went off in the afternoon.  Not the best way to relax before a gig.<br />
<br />
Ger Harley | EEm 26 April 2018
    SCT_EEm_Sheridan_Smith_Edinburgh_GER...jpg
  • Pictured: <br />
Star of West End smash hits including Legally Blonde and Funny Girl, Sheridan Smith was in Edinburgh tonight as part of her tour to promote her new album, Sheridan, which was released on 3 November last year.  The Edinburgh Playhouse was the second last date on the tour.  Her time in the Playhouse was disrupted when a fire alarm went off in the afternoon.  Not the best way to relax before a gig.<br />
<br />
Ger Harley | EEm 26 April 2018
    SCT_EEm_Sheridan_Smith_Edinburgh_GER...jpg
  • Pictured: <br />
Star of West End smash hits including Legally Blonde and Funny Girl, Sheridan Smith was in Edinburgh tonight as part of her tour to promote her new album, Sheridan, which was released on 3 November last year.  The Edinburgh Playhouse was the second last date on the tour.  Her time in the Playhouse was disrupted when a fire alarm went off in the afternoon.  Not the best way to relax before a gig.<br />
<br />
Ger Harley | EEm 26 April 2018
    SCT_EEm_Sheridan_Smith_Edinburgh_GER...jpg
  • Pictured: <br />
Star of West End smash hits including Legally Blonde and Funny Girl, Sheridan Smith was in Edinburgh tonight as part of her tour to promote her new album, Sheridan, which was released on 3 November last year.  The Edinburgh Playhouse was the second last date on the tour.  Her time in the Playhouse was disrupted when a fire alarm went off in the afternoon.  Not the best way to relax before a gig.<br />
<br />
Ger Harley | EEm 26 April 2018
    SCT_EEm_Sheridan_Smith_Edinburgh_GER...jpg
  • Pictured: <br />
Star of West End smash hits including Legally Blonde and Funny Girl, Sheridan Smith was in Edinburgh tonight as part of her tour to promote her new album, Sheridan, which was released on 3 November last year.  The Edinburgh Playhouse was the second last date on the tour.  Her time in the Playhouse was disrupted when a fire alarm went off in the afternoon.  Not the best way to relax before a gig.<br />
<br />
Ger Harley | EEm 26 April 2018
    SCT_EEm_Sheridan_Smith_Edinburgh_GER...jpg
  • Pictured: <br />
Star of West End smash hits including Legally Blonde and Funny Girl, Sheridan Smith was in Edinburgh tonight as part of her tour to promote her new album, Sheridan, which was released on 3 November last year.  The Edinburgh Playhouse was the second last date on the tour.  Her time in the Playhouse was disrupted when a fire alarm went off in the afternoon.  Not the best way to relax before a gig.<br />
<br />
Ger Harley | EEm 26 April 2018
    SCT_EEm_Sheridan_Smith_Edinburgh_GER...jpg
  • Pictured: <br />
Star of West End smash hits including Legally Blonde and Funny Girl, Sheridan Smith was in Edinburgh tonight as part of her tour to promote her new album, Sheridan, which was released on 3 November last year.  The Edinburgh Playhouse was the second last date on the tour.  Her time in the Playhouse was disrupted when a fire alarm went off in the afternoon.  Not the best way to relax before a gig.<br />
<br />
Ger Harley | EEm 26 April 2018
    SCT_EEm_Sheridan_Smith_Edinburgh_GER...jpg
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Yo, Carmen brings together eight dancers in Maria Pagés’ flamenco choreography. Seven musicians – featuring violin and cello alongside flamenco guitarists and singers – provide a live soundtrack of Bizet’s familiar opera tunes, the popular songs that inspired them, and gripping original flamenco.<br />
<br />
Yo, Carmen plays at the Edinburgh Playhouse between 18 and 22 August at the Edinburgh Playhouse
    SCT_EEm_Yo_Carmen_Edinburgh_RD_12082...JPG
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • Australia’s greatest cultural export Barry Humphries curates, presents and performs an evening of so-called ‘degenerate’ music from Germany’s Weimar Republic, joined by transgressive cabaret sensation Meow Meow and the gutsy players of the Australian Chamber Orchestra, under charismatic Director Richard Tognetti. The Usher Hall, Edinburgh, 8th August 2016(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Barry_Humphries_Edinburgh_BA...jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016028.jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016015.jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016003.jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016027.jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016025.jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016026.jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016023.jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016021.jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016019.jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016020.jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016014.jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016012.jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016013.jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016010.jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016007.jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016006.jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016002.jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016004.jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016024.jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016022.jpg
  • An epic reimagining of the visionary GRIT, the final album by pioneering Scottish piper, fiddler and studio mixer Martyn Bennett, bringing together an 80-piece orchestra, plus folk and jazz instrumentalists and singers, many deeply associated with Bennett himself.(c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Grit_Edinburgh_BA23082016018.jpg
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