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  • A brand new, haunting and uplifting adaptation of Euripides’ great anti-war tragedy, written and acted by a cast of Syrian refugees living in Glasgow, performed in Arabic (with surtitles) and English. <br />
<br />
This extraordinary production is brought to you by the award-winning director Victoria Beesley and the originating producers of the highly acclaimed Queens of Syria (Young Vic 2016) and Syria: The Trojan Women (NCC Amman, 2013), supported by Glasgow City Council.<br />
<br />
The Trojans transcends countries and time, with a cast who have known the horror of war bringing their own experiences of exile and loss into Euripides’ shocking 2,500 year old play; they also tell of the bitter-sweetness of building new lives in Scotland. <br />
<br />
This play is the culmination of nine months of drama workshops for Syrian refugees in Glasgow’s Platform Theatre. The aim is to build links between Syrians newly arrived in Scotland and local communities; to allow Syrians who have found a haven in Scotland to work through their depression, isolation and trauma. We have created a stunning new piece of theatre which will bring home to the audience the reality of what it means to flee war, and arrive in a strange land. <br />
<br />
Pictured: The Trojan Women <br />
<br />
Alex Todd | Edinburgh Elite media
    EEm_Trojan_Women_AT_01072019_018.JPG
  • A brand new, haunting and uplifting adaptation of Euripides’ great anti-war tragedy, written and acted by a cast of Syrian refugees living in Glasgow, performed in Arabic (with surtitles) and English. <br />
<br />
This extraordinary production is brought to you by the award-winning director Victoria Beesley and the originating producers of the highly acclaimed Queens of Syria (Young Vic 2016) and Syria: The Trojan Women (NCC Amman, 2013), supported by Glasgow City Council.<br />
<br />
The Trojans transcends countries and time, with a cast who have known the horror of war bringing their own experiences of exile and loss into Euripides’ shocking 2,500 year old play; they also tell of the bitter-sweetness of building new lives in Scotland. <br />
<br />
This play is the culmination of nine months of drama workshops for Syrian refugees in Glasgow’s Platform Theatre. The aim is to build links between Syrians newly arrived in Scotland and local communities; to allow Syrians who have found a haven in Scotland to work through their depression, isolation and trauma. We have created a stunning new piece of theatre which will bring home to the audience the reality of what it means to flee war, and arrive in a strange land. <br />
<br />
Pictured: The Trojan Women <br />
<br />
Alex Todd | Edinburgh Elite media
    EEm_Trojan_Women_AT_01072019_017.JPG
  • A brand new, haunting and uplifting adaptation of Euripides’ great anti-war tragedy, written and acted by a cast of Syrian refugees living in Glasgow, performed in Arabic (with surtitles) and English. <br />
<br />
This extraordinary production is brought to you by the award-winning director Victoria Beesley and the originating producers of the highly acclaimed Queens of Syria (Young Vic 2016) and Syria: The Trojan Women (NCC Amman, 2013), supported by Glasgow City Council.<br />
<br />
The Trojans transcends countries and time, with a cast who have known the horror of war bringing their own experiences of exile and loss into Euripides’ shocking 2,500 year old play; they also tell of the bitter-sweetness of building new lives in Scotland. <br />
<br />
This play is the culmination of nine months of drama workshops for Syrian refugees in Glasgow’s Platform Theatre. The aim is to build links between Syrians newly arrived in Scotland and local communities; to allow Syrians who have found a haven in Scotland to work through their depression, isolation and trauma. We have created a stunning new piece of theatre which will bring home to the audience the reality of what it means to flee war, and arrive in a strange land. <br />
<br />
Pictured: The Trojan Women <br />
<br />
Alex Todd | Edinburgh Elite media
    EEm_Trojan_Women_AT_01072019_013.JPG
  • A brand new, haunting and uplifting adaptation of Euripides’ great anti-war tragedy, written and acted by a cast of Syrian refugees living in Glasgow, performed in Arabic (with surtitles) and English. <br />
<br />
This extraordinary production is brought to you by the award-winning director Victoria Beesley and the originating producers of the highly acclaimed Queens of Syria (Young Vic 2016) and Syria: The Trojan Women (NCC Amman, 2013), supported by Glasgow City Council.<br />
<br />
The Trojans transcends countries and time, with a cast who have known the horror of war bringing their own experiences of exile and loss into Euripides’ shocking 2,500 year old play; they also tell of the bitter-sweetness of building new lives in Scotland. <br />
<br />
This play is the culmination of nine months of drama workshops for Syrian refugees in Glasgow’s Platform Theatre. The aim is to build links between Syrians newly arrived in Scotland and local communities; to allow Syrians who have found a haven in Scotland to work through their depression, isolation and trauma. We have created a stunning new piece of theatre which will bring home to the audience the reality of what it means to flee war, and arrive in a strange land. <br />
<br />
Pictured: The Trojan Women <br />
<br />
Alex Todd | Edinburgh Elite media
    EEm_Trojan_Women_AT_01072019_014.JPG
  • A brand new, haunting and uplifting adaptation of Euripides’ great anti-war tragedy, written and acted by a cast of Syrian refugees living in Glasgow, performed in Arabic (with surtitles) and English. <br />
<br />
This extraordinary production is brought to you by the award-winning director Victoria Beesley and the originating producers of the highly acclaimed Queens of Syria (Young Vic 2016) and Syria: The Trojan Women (NCC Amman, 2013), supported by Glasgow City Council.<br />
<br />
The Trojans transcends countries and time, with a cast who have known the horror of war bringing their own experiences of exile and loss into Euripides’ shocking 2,500 year old play; they also tell of the bitter-sweetness of building new lives in Scotland. <br />
<br />
This play is the culmination of nine months of drama workshops for Syrian refugees in Glasgow’s Platform Theatre. The aim is to build links between Syrians newly arrived in Scotland and local communities; to allow Syrians who have found a haven in Scotland to work through their depression, isolation and trauma. We have created a stunning new piece of theatre which will bring home to the audience the reality of what it means to flee war, and arrive in a strange land. <br />
<br />
Pictured: The Trojan Women <br />
<br />
Alex Todd | Edinburgh Elite media
    EEm_Trojan_Women_AT_01072019_012.JPG
  • A brand new, haunting and uplifting adaptation of Euripides’ great anti-war tragedy, written and acted by a cast of Syrian refugees living in Glasgow, performed in Arabic (with surtitles) and English. <br />
<br />
This extraordinary production is brought to you by the award-winning director Victoria Beesley and the originating producers of the highly acclaimed Queens of Syria (Young Vic 2016) and Syria: The Trojan Women (NCC Amman, 2013), supported by Glasgow City Council.<br />
<br />
The Trojans transcends countries and time, with a cast who have known the horror of war bringing their own experiences of exile and loss into Euripides’ shocking 2,500 year old play; they also tell of the bitter-sweetness of building new lives in Scotland. <br />
<br />
This play is the culmination of nine months of drama workshops for Syrian refugees in Glasgow’s Platform Theatre. The aim is to build links between Syrians newly arrived in Scotland and local communities; to allow Syrians who have found a haven in Scotland to work through their depression, isolation and trauma. We have created a stunning new piece of theatre which will bring home to the audience the reality of what it means to flee war, and arrive in a strange land. <br />
<br />
Pictured: The Trojan Women <br />
<br />
Alex Todd | Edinburgh Elite media
    EEm_Trojan_Women_AT_01072019_011.JPG
  • A brand new, haunting and uplifting adaptation of Euripides’ great anti-war tragedy, written and acted by a cast of Syrian refugees living in Glasgow, performed in Arabic (with surtitles) and English. <br />
<br />
This extraordinary production is brought to you by the award-winning director Victoria Beesley and the originating producers of the highly acclaimed Queens of Syria (Young Vic 2016) and Syria: The Trojan Women (NCC Amman, 2013), supported by Glasgow City Council.<br />
<br />
The Trojans transcends countries and time, with a cast who have known the horror of war bringing their own experiences of exile and loss into Euripides’ shocking 2,500 year old play; they also tell of the bitter-sweetness of building new lives in Scotland. <br />
<br />
This play is the culmination of nine months of drama workshops for Syrian refugees in Glasgow’s Platform Theatre. The aim is to build links between Syrians newly arrived in Scotland and local communities; to allow Syrians who have found a haven in Scotland to work through their depression, isolation and trauma. We have created a stunning new piece of theatre which will bring home to the audience the reality of what it means to flee war, and arrive in a strange land. <br />
<br />
Pictured: The Trojan Women <br />
<br />
Alex Todd | Edinburgh Elite media
    EEm_Trojan_Women_AT_01072019_008.JPG
  • A brand new, haunting and uplifting adaptation of Euripides’ great anti-war tragedy, written and acted by a cast of Syrian refugees living in Glasgow, performed in Arabic (with surtitles) and English. <br />
<br />
This extraordinary production is brought to you by the award-winning director Victoria Beesley and the originating producers of the highly acclaimed Queens of Syria (Young Vic 2016) and Syria: The Trojan Women (NCC Amman, 2013), supported by Glasgow City Council.<br />
<br />
The Trojans transcends countries and time, with a cast who have known the horror of war bringing their own experiences of exile and loss into Euripides’ shocking 2,500 year old play; they also tell of the bitter-sweetness of building new lives in Scotland. <br />
<br />
This play is the culmination of nine months of drama workshops for Syrian refugees in Glasgow’s Platform Theatre. The aim is to build links between Syrians newly arrived in Scotland and local communities; to allow Syrians who have found a haven in Scotland to work through their depression, isolation and trauma. We have created a stunning new piece of theatre which will bring home to the audience the reality of what it means to flee war, and arrive in a strange land. <br />
<br />
Pictured: The Trojan Women <br />
<br />
Alex Todd | Edinburgh Elite media
    EEm_Trojan_Women_AT_01072019_009.JPG
  • A brand new, haunting and uplifting adaptation of Euripides’ great anti-war tragedy, written and acted by a cast of Syrian refugees living in Glasgow, performed in Arabic (with surtitles) and English. <br />
<br />
This extraordinary production is brought to you by the award-winning director Victoria Beesley and the originating producers of the highly acclaimed Queens of Syria (Young Vic 2016) and Syria: The Trojan Women (NCC Amman, 2013), supported by Glasgow City Council.<br />
<br />
The Trojans transcends countries and time, with a cast who have known the horror of war bringing their own experiences of exile and loss into Euripides’ shocking 2,500 year old play; they also tell of the bitter-sweetness of building new lives in Scotland. <br />
<br />
This play is the culmination of nine months of drama workshops for Syrian refugees in Glasgow’s Platform Theatre. The aim is to build links between Syrians newly arrived in Scotland and local communities; to allow Syrians who have found a haven in Scotland to work through their depression, isolation and trauma. We have created a stunning new piece of theatre which will bring home to the audience the reality of what it means to flee war, and arrive in a strange land. <br />
<br />
Pictured: The Trojan Women <br />
<br />
Alex Todd | Edinburgh Elite media
    EEm_Trojan_Women_AT_01072019_007.JPG
  • A brand new, haunting and uplifting adaptation of Euripides’ great anti-war tragedy, written and acted by a cast of Syrian refugees living in Glasgow, performed in Arabic (with surtitles) and English. <br />
<br />
This extraordinary production is brought to you by the award-winning director Victoria Beesley and the originating producers of the highly acclaimed Queens of Syria (Young Vic 2016) and Syria: The Trojan Women (NCC Amman, 2013), supported by Glasgow City Council.<br />
<br />
The Trojans transcends countries and time, with a cast who have known the horror of war bringing their own experiences of exile and loss into Euripides’ shocking 2,500 year old play; they also tell of the bitter-sweetness of building new lives in Scotland. <br />
<br />
This play is the culmination of nine months of drama workshops for Syrian refugees in Glasgow’s Platform Theatre. The aim is to build links between Syrians newly arrived in Scotland and local communities; to allow Syrians who have found a haven in Scotland to work through their depression, isolation and trauma. We have created a stunning new piece of theatre which will bring home to the audience the reality of what it means to flee war, and arrive in a strange land. <br />
<br />
Pictured: The Trojan Women <br />
<br />
Alex Todd | Edinburgh Elite media
    EEm_Trojan_Women_AT_01072019_004.JPG
  • A brand new, haunting and uplifting adaptation of Euripides’ great anti-war tragedy, written and acted by a cast of Syrian refugees living in Glasgow, performed in Arabic (with surtitles) and English. <br />
<br />
This extraordinary production is brought to you by the award-winning director Victoria Beesley and the originating producers of the highly acclaimed Queens of Syria (Young Vic 2016) and Syria: The Trojan Women (NCC Amman, 2013), supported by Glasgow City Council.<br />
<br />
The Trojans transcends countries and time, with a cast who have known the horror of war bringing their own experiences of exile and loss into Euripides’ shocking 2,500 year old play; they also tell of the bitter-sweetness of building new lives in Scotland. <br />
<br />
This play is the culmination of nine months of drama workshops for Syrian refugees in Glasgow’s Platform Theatre. The aim is to build links between Syrians newly arrived in Scotland and local communities; to allow Syrians who have found a haven in Scotland to work through their depression, isolation and trauma. We have created a stunning new piece of theatre which will bring home to the audience the reality of what it means to flee war, and arrive in a strange land. <br />
<br />
Pictured: The Trojan Women <br />
<br />
Alex Todd | Edinburgh Elite media
    EEm_Trojan_Women_AT_01072019_006.JPG
  • A brand new, haunting and uplifting adaptation of Euripides’ great anti-war tragedy, written and acted by a cast of Syrian refugees living in Glasgow, performed in Arabic (with surtitles) and English. <br />
<br />
This extraordinary production is brought to you by the award-winning director Victoria Beesley and the originating producers of the highly acclaimed Queens of Syria (Young Vic 2016) and Syria: The Trojan Women (NCC Amman, 2013), supported by Glasgow City Council.<br />
<br />
The Trojans transcends countries and time, with a cast who have known the horror of war bringing their own experiences of exile and loss into Euripides’ shocking 2,500 year old play; they also tell of the bitter-sweetness of building new lives in Scotland. <br />
<br />
This play is the culmination of nine months of drama workshops for Syrian refugees in Glasgow’s Platform Theatre. The aim is to build links between Syrians newly arrived in Scotland and local communities; to allow Syrians who have found a haven in Scotland to work through their depression, isolation and trauma. We have created a stunning new piece of theatre which will bring home to the audience the reality of what it means to flee war, and arrive in a strange land. <br />
<br />
Pictured: The Trojan Women <br />
<br />
Alex Todd | Edinburgh Elite media
    EEm_Trojan_Women_AT_01072019_001.JPG
  • A brand new, haunting and uplifting adaptation of Euripides’ great anti-war tragedy, written and acted by a cast of Syrian refugees living in Glasgow, performed in Arabic (with surtitles) and English. <br />
<br />
This extraordinary production is brought to you by the award-winning director Victoria Beesley and the originating producers of the highly acclaimed Queens of Syria (Young Vic 2016) and Syria: The Trojan Women (NCC Amman, 2013), supported by Glasgow City Council.<br />
<br />
The Trojans transcends countries and time, with a cast who have known the horror of war bringing their own experiences of exile and loss into Euripides’ shocking 2,500 year old play; they also tell of the bitter-sweetness of building new lives in Scotland. <br />
<br />
This play is the culmination of nine months of drama workshops for Syrian refugees in Glasgow’s Platform Theatre. The aim is to build links between Syrians newly arrived in Scotland and local communities; to allow Syrians who have found a haven in Scotland to work through their depression, isolation and trauma. We have created a stunning new piece of theatre which will bring home to the audience the reality of what it means to flee war, and arrive in a strange land. <br />
<br />
Pictured: The Trojan Women <br />
<br />
Alex Todd | Edinburgh Elite media
    EEm_Trojan_Women_AT_01072019_002.JPG
  • A brand new, haunting and uplifting adaptation of Euripides’ great anti-war tragedy, written and acted by a cast of Syrian refugees living in Glasgow, performed in Arabic (with surtitles) and English. <br />
<br />
This extraordinary production is brought to you by the award-winning director Victoria Beesley and the originating producers of the highly acclaimed Queens of Syria (Young Vic 2016) and Syria: The Trojan Women (NCC Amman, 2013), supported by Glasgow City Council.<br />
<br />
The Trojans transcends countries and time, with a cast who have known the horror of war bringing their own experiences of exile and loss into Euripides’ shocking 2,500 year old play; they also tell of the bitter-sweetness of building new lives in Scotland. <br />
<br />
This play is the culmination of nine months of drama workshops for Syrian refugees in Glasgow’s Platform Theatre. The aim is to build links between Syrians newly arrived in Scotland and local communities; to allow Syrians who have found a haven in Scotland to work through their depression, isolation and trauma. We have created a stunning new piece of theatre which will bring home to the audience the reality of what it means to flee war, and arrive in a strange land. <br />
<br />
Pictured: The Trojan Women <br />
<br />
Alex Todd | Edinburgh Elite media
    EEm_Trojan_Women_AT_01072019_003.JPG
  • A brand new, haunting and uplifting adaptation of Euripides’ great anti-war tragedy, written and acted by a cast of Syrian refugees living in Glasgow, performed in Arabic (with surtitles) and English. <br />
<br />
This extraordinary production is brought to you by the award-winning director Victoria Beesley and the originating producers of the highly acclaimed Queens of Syria (Young Vic 2016) and Syria: The Trojan Women (NCC Amman, 2013), supported by Glasgow City Council.<br />
<br />
The Trojans transcends countries and time, with a cast who have known the horror of war bringing their own experiences of exile and loss into Euripides’ shocking 2,500 year old play; they also tell of the bitter-sweetness of building new lives in Scotland. <br />
<br />
This play is the culmination of nine months of drama workshops for Syrian refugees in Glasgow’s Platform Theatre. The aim is to build links between Syrians newly arrived in Scotland and local communities; to allow Syrians who have found a haven in Scotland to work through their depression, isolation and trauma. We have created a stunning new piece of theatre which will bring home to the audience the reality of what it means to flee war, and arrive in a strange land. <br />
<br />
Pictured: The Trojan Women <br />
<br />
Alex Todd | Edinburgh Elite media
    EEm_Trojan_Women_AT_01072019_019.JPG
  • A brand new, haunting and uplifting adaptation of Euripides’ great anti-war tragedy, written and acted by a cast of Syrian refugees living in Glasgow, performed in Arabic (with surtitles) and English. <br />
<br />
This extraordinary production is brought to you by the award-winning director Victoria Beesley and the originating producers of the highly acclaimed Queens of Syria (Young Vic 2016) and Syria: The Trojan Women (NCC Amman, 2013), supported by Glasgow City Council.<br />
<br />
The Trojans transcends countries and time, with a cast who have known the horror of war bringing their own experiences of exile and loss into Euripides’ shocking 2,500 year old play; they also tell of the bitter-sweetness of building new lives in Scotland. <br />
<br />
This play is the culmination of nine months of drama workshops for Syrian refugees in Glasgow’s Platform Theatre. The aim is to build links between Syrians newly arrived in Scotland and local communities; to allow Syrians who have found a haven in Scotland to work through their depression, isolation and trauma. We have created a stunning new piece of theatre which will bring home to the audience the reality of what it means to flee war, and arrive in a strange land. <br />
<br />
Pictured: The Trojan Women <br />
<br />
Alex Todd | Edinburgh Elite media
    EEm_Trojan_Women_AT_01072019_016.JPG
  • A brand new, haunting and uplifting adaptation of Euripides’ great anti-war tragedy, written and acted by a cast of Syrian refugees living in Glasgow, performed in Arabic (with surtitles) and English. <br />
<br />
This extraordinary production is brought to you by the award-winning director Victoria Beesley and the originating producers of the highly acclaimed Queens of Syria (Young Vic 2016) and Syria: The Trojan Women (NCC Amman, 2013), supported by Glasgow City Council.<br />
<br />
The Trojans transcends countries and time, with a cast who have known the horror of war bringing their own experiences of exile and loss into Euripides’ shocking 2,500 year old play; they also tell of the bitter-sweetness of building new lives in Scotland. <br />
<br />
This play is the culmination of nine months of drama workshops for Syrian refugees in Glasgow’s Platform Theatre. The aim is to build links between Syrians newly arrived in Scotland and local communities; to allow Syrians who have found a haven in Scotland to work through their depression, isolation and trauma. We have created a stunning new piece of theatre which will bring home to the audience the reality of what it means to flee war, and arrive in a strange land. <br />
<br />
Pictured: The Trojan Women <br />
<br />
Alex Todd | Edinburgh Elite media
    EEm_Trojan_Women_AT_01072019_015.JPG
  • A brand new, haunting and uplifting adaptation of Euripides’ great anti-war tragedy, written and acted by a cast of Syrian refugees living in Glasgow, performed in Arabic (with surtitles) and English. <br />
<br />
This extraordinary production is brought to you by the award-winning director Victoria Beesley and the originating producers of the highly acclaimed Queens of Syria (Young Vic 2016) and Syria: The Trojan Women (NCC Amman, 2013), supported by Glasgow City Council.<br />
<br />
The Trojans transcends countries and time, with a cast who have known the horror of war bringing their own experiences of exile and loss into Euripides’ shocking 2,500 year old play; they also tell of the bitter-sweetness of building new lives in Scotland. <br />
<br />
This play is the culmination of nine months of drama workshops for Syrian refugees in Glasgow’s Platform Theatre. The aim is to build links between Syrians newly arrived in Scotland and local communities; to allow Syrians who have found a haven in Scotland to work through their depression, isolation and trauma. We have created a stunning new piece of theatre which will bring home to the audience the reality of what it means to flee war, and arrive in a strange land. <br />
<br />
Pictured: The Trojan Women <br />
<br />
Alex Todd | Edinburgh Elite media
    EEm_Trojan_Women_AT_01072019_010.JPG
  • A brand new, haunting and uplifting adaptation of Euripides’ great anti-war tragedy, written and acted by a cast of Syrian refugees living in Glasgow, performed in Arabic (with surtitles) and English. <br />
<br />
This extraordinary production is brought to you by the award-winning director Victoria Beesley and the originating producers of the highly acclaimed Queens of Syria (Young Vic 2016) and Syria: The Trojan Women (NCC Amman, 2013), supported by Glasgow City Council.<br />
<br />
The Trojans transcends countries and time, with a cast who have known the horror of war bringing their own experiences of exile and loss into Euripides’ shocking 2,500 year old play; they also tell of the bitter-sweetness of building new lives in Scotland. <br />
<br />
This play is the culmination of nine months of drama workshops for Syrian refugees in Glasgow’s Platform Theatre. The aim is to build links between Syrians newly arrived in Scotland and local communities; to allow Syrians who have found a haven in Scotland to work through their depression, isolation and trauma. We have created a stunning new piece of theatre which will bring home to the audience the reality of what it means to flee war, and arrive in a strange land. <br />
<br />
Pictured: The Trojan Women <br />
<br />
Alex Todd | Edinburgh Elite media
    EEm_Trojan_Women_AT_01072019_005.JPG
  • Freedom from Torture supporters are taking on a mammoth cycle ride across Britain in aid of torture survivors who have been forced to flee their home country and are rebuilding their lives in the UK. <br />
<br />
The ride, beginning in Hastings on the 1 July and finishing in Edinburgh on 28 July, is broken down into 19 stages; Moira Dunworth, aged 65, and Shelagh King, a semi-retired doctor aged 64, are riding the whole way and other participants have signed up to some of the stages. Supporters across the country who are riding include Violet Hejazi, a young Syrian refugee who learnt to ride a bike specifically to take part in ‘Cycle against Torture 2019’. <br />
<br />
Pictured L to R: Shelagh King, Liam Kerr MSP, Patrick Harvie MSP and Moira Dunworth
    EEM_Cycle Against Torture_RD_260619_...JPG
  • Freedom from Torture supporters are taking on a mammoth cycle ride across Britain in aid of torture survivors who have been forced to flee their home country and are rebuilding their lives in the UK. <br />
<br />
The ride, beginning in Hastings on the 1 July and finishing in Edinburgh on 28 July, is broken down into 19 stages; Moira Dunworth, aged 65, and Shelagh King, a semi-retired doctor aged 64, are riding the whole way and other participants have signed up to some of the stages. Supporters across the country who are riding include Violet Hejazi, a young Syrian refugee who learnt to ride a bike specifically to take part in ‘Cycle against Torture 2019’. <br />
<br />
Pictured L to R: Liam Kerr MSP, Shelagh King, Alison Johnstone MSP,  Moira Dunworth and Patrick Harvie MSP
    EEM_Cycle Against Torture_RD_260619_...JPG
  • Sulaiman Addonia & Olga Grjasnowa appear at the 2019 Edinburgh International Book Festival.<br />
<br />
Sulaiman Addonia fled Eritrea in 1976 and spent his early life in a Sudanese refugee camp. Those days inform Silence Is My Mother Tongue, which also explores gender identity and a close sibling relationship. Azeri author Olga Grjasnowa moved to Germany in 1996 as a refugee and is married to a Syrian actor – her novel City of Jasmine offers an intimate picture of the inhumanity of war as three Damascenes flee.<br />
<br />
© Dave Johnston / EEm
    EEm_Edinburgh_International_Book_Fes...JPG
  • Sulaiman Addonia & Olga Grjasnowa appear at the 2019 Edinburgh International Book Festival.<br />
<br />
Sulaiman Addonia fled Eritrea in 1976 and spent his early life in a Sudanese refugee camp. Those days inform Silence Is My Mother Tongue, which also explores gender identity and a close sibling relationship. Azeri author Olga Grjasnowa moved to Germany in 1996 as a refugee and is married to a Syrian actor – her novel City of Jasmine offers an intimate picture of the inhumanity of war as three Damascenes flee.<br />
<br />
© Dave Johnston / EEm
    EEm_Edinburgh_International_Book_Fes...JPG
  • Sulaiman Addonia & Olga Grjasnowa appear at the 2019 Edinburgh International Book Festival.<br />
<br />
Sulaiman Addonia fled Eritrea in 1976 and spent his early life in a Sudanese refugee camp. Those days inform Silence Is My Mother Tongue, which also explores gender identity and a close sibling relationship. Azeri author Olga Grjasnowa moved to Germany in 1996 as a refugee and is married to a Syrian actor – her novel City of Jasmine offers an intimate picture of the inhumanity of war as three Damascenes flee.<br />
<br />
© Dave Johnston / EEm
    EEm_Edinburgh_International_Book_Fes...JPG
  • Sulaiman Addonia & Olga Grjasnowa appear at the 2019 Edinburgh International Book Festival.<br />
<br />
Sulaiman Addonia fled Eritrea in 1976 and spent his early life in a Sudanese refugee camp. Those days inform Silence Is My Mother Tongue, which also explores gender identity and a close sibling relationship. Azeri author Olga Grjasnowa moved to Germany in 1996 as a refugee and is married to a Syrian actor – her novel City of Jasmine offers an intimate picture of the inhumanity of war as three Damascenes flee.<br />
<br />
© Dave Johnston / EEm
    EEm_Edinburgh_International_Book_Fes...JPG
  • Sulaiman Addonia & Olga Grjasnowa appear at the 2019 Edinburgh International Book Festival.<br />
<br />
Sulaiman Addonia fled Eritrea in 1976 and spent his early life in a Sudanese refugee camp. Those days inform Silence Is My Mother Tongue, which also explores gender identity and a close sibling relationship. Azeri author Olga Grjasnowa moved to Germany in 1996 as a refugee and is married to a Syrian actor – her novel City of Jasmine offers an intimate picture of the inhumanity of war as three Damascenes flee.<br />
<br />
© Dave Johnston / EEm
    EEm_Edinburgh_International_Book_Fes...JPG
  • Sulaiman Addonia & Olga Grjasnowa appear at the 2019 Edinburgh International Book Festival.<br />
<br />
Sulaiman Addonia fled Eritrea in 1976 and spent his early life in a Sudanese refugee camp. Those days inform Silence Is My Mother Tongue, which also explores gender identity and a close sibling relationship. Azeri author Olga Grjasnowa moved to Germany in 1996 as a refugee and is married to a Syrian actor – her novel City of Jasmine offers an intimate picture of the inhumanity of war as three Damascenes flee.<br />
<br />
© Dave Johnston / EEm
    EEm_Edinburgh_International_Book_Fes...JPG
  • Sulaiman Addonia & Olga Grjasnowa appear at the 2019 Edinburgh International Book Festival.<br />
<br />
Sulaiman Addonia fled Eritrea in 1976 and spent his early life in a Sudanese refugee camp. Those days inform Silence Is My Mother Tongue, which also explores gender identity and a close sibling relationship. Azeri author Olga Grjasnowa moved to Germany in 1996 as a refugee and is married to a Syrian actor – her novel City of Jasmine offers an intimate picture of the inhumanity of war as three Damascenes flee.<br />
<br />
© Dave Johnston / EEm
    EEm_Edinburgh_International_Book_Fes...JPG
  • Sulaiman Addonia & Olga Grjasnowa appear at the 2019 Edinburgh International Book Festival.<br />
<br />
Sulaiman Addonia fled Eritrea in 1976 and spent his early life in a Sudanese refugee camp. Those days inform Silence Is My Mother Tongue, which also explores gender identity and a close sibling relationship. Azeri author Olga Grjasnowa moved to Germany in 1996 as a refugee and is married to a Syrian actor – her novel City of Jasmine offers an intimate picture of the inhumanity of war as three Damascenes flee.<br />
<br />
© Dave Johnston / EEm
    EEm_Edinburgh_International_Book_Fes...JPG
  • Sulaiman Addonia & Olga Grjasnowa appear at the 2019 Edinburgh International Book Festival.<br />
<br />
Sulaiman Addonia fled Eritrea in 1976 and spent his early life in a Sudanese refugee camp. Those days inform Silence Is My Mother Tongue, which also explores gender identity and a close sibling relationship. Azeri author Olga Grjasnowa moved to Germany in 1996 as a refugee and is married to a Syrian actor – her novel City of Jasmine offers an intimate picture of the inhumanity of war as three Damascenes flee.<br />
<br />
© Dave Johnston / EEm
    EEm_Edinburgh_International_Book_Fes...JPG
  • Sulaiman Addonia & Olga Grjasnowa appear at the 2019 Edinburgh International Book Festival.<br />
<br />
Sulaiman Addonia fled Eritrea in 1976 and spent his early life in a Sudanese refugee camp. Those days inform Silence Is My Mother Tongue, which also explores gender identity and a close sibling relationship. Azeri author Olga Grjasnowa moved to Germany in 1996 as a refugee and is married to a Syrian actor – her novel City of Jasmine offers an intimate picture of the inhumanity of war as three Damascenes flee.<br />
<br />
© Dave Johnston / EEm
    EEm_Edinburgh_International_Book_Fes...JPG
  • Sulaiman Addonia & Olga Grjasnowa appear at the 2019 Edinburgh International Book Festival.<br />
<br />
Sulaiman Addonia fled Eritrea in 1976 and spent his early life in a Sudanese refugee camp. Those days inform Silence Is My Mother Tongue, which also explores gender identity and a close sibling relationship. Azeri author Olga Grjasnowa moved to Germany in 1996 as a refugee and is married to a Syrian actor – her novel City of Jasmine offers an intimate picture of the inhumanity of war as three Damascenes flee.<br />
<br />
© Dave Johnston / EEm
    EEm_Edinburgh_International_Book_Fes...JPG
  • Sulaiman Addonia & Olga Grjasnowa appear at the 2019 Edinburgh International Book Festival.<br />
<br />
Sulaiman Addonia fled Eritrea in 1976 and spent his early life in a Sudanese refugee camp. Those days inform Silence Is My Mother Tongue, which also explores gender identity and a close sibling relationship. Azeri author Olga Grjasnowa moved to Germany in 1996 as a refugee and is married to a Syrian actor – her novel City of Jasmine offers an intimate picture of the inhumanity of war as three Damascenes flee.<br />
<br />
© Dave Johnston / EEm
    EEm_Edinburgh_International_Book_Fes...JPG
  • Freedom from Torture supporters are taking on a mammoth cycle ride across Britain in aid of torture survivors who have been forced to flee their home country and are rebuilding their lives in the UK. <br />
<br />
The ride, beginning in Hastings on the 1 July and finishing in Edinburgh on 28 July, is broken down into 19 stages; Moira Dunworth, aged 65, and Shelagh King, a semi-retired doctor aged 64, are riding the whole way and other participants have signed up to some of the stages. Supporters across the country who are riding include Violet Hejazi, a young Syrian refugee who learnt to ride a bike specifically to take part in ‘Cycle against Torture 2019’. <br />
<br />
Pictured L to R: Alison Johnstone MSP, Liam Kerr MSP, Shelagh King, Moira Dunworth and Patrick Harvie MSP
    EEM_Cycle Against Torture_RD_260619_...JPG
  • Freedom from Torture supporters are taking on a mammoth cycle ride across Britain in aid of torture survivors who have been forced to flee their home country and are rebuilding their lives in the UK. <br />
<br />
The ride, beginning in Hastings on the 1 July and finishing in Edinburgh on 28 July, is broken down into 19 stages; Moira Dunworth, aged 65, and Shelagh King, a semi-retired doctor aged 64, are riding the whole way and other participants have signed up to some of the stages. Supporters across the country who are riding include Violet Hejazi, a young Syrian refugee who learnt to ride a bike specifically to take part in ‘Cycle against Torture 2019’. <br />
<br />
Pictured L to R: Sonya Sceats, Chief Executive of Freedom from Torture, Shelagh King, Liam Kerr MSP,  Moira Dunworth
    EEM_Cycle Against Torture_RD_260619_...JPG
  • Freedom from Torture supporters are taking on a mammoth cycle ride across Britain in aid of torture survivors who have been forced to flee their home country and are rebuilding their lives in the UK. <br />
<br />
The ride, beginning in Hastings on the 1 July and finishing in Edinburgh on 28 July, is broken down into 19 stages; Moira Dunworth, aged 65, and Shelagh King, a semi-retired doctor aged 64, are riding the whole way and other participants have signed up to some of the stages. Supporters across the country who are riding include Violet Hejazi, a young Syrian refugee who learnt to ride a bike specifically to take part in ‘Cycle against Torture 2019’. <br />
<br />
Pictured L to R: Sonya Sceats, Chief Executive of Freedom from Torture, Shelagh King, Alison Johnstone MSP,  Moira Dunworth and Patrick Harvie MSP
    EEM_Cycle Against Torture_RD_260619_...JPG
  • Freedom from Torture supporters are taking on a mammoth cycle ride across Britain in aid of torture survivors who have been forced to flee their home country and are rebuilding their lives in the UK. <br />
<br />
The ride, beginning in Hastings on the 1 July and finishing in Edinburgh on 28 July, is broken down into 19 stages; Moira Dunworth, aged 65, and Shelagh King, a semi-retired doctor aged 64, are riding the whole way and other participants have signed up to some of the stages. Supporters across the country who are riding include Violet Hejazi, a young Syrian refugee who learnt to ride a bike specifically to take part in ‘Cycle against Torture 2019’. <br />
<br />
Pictured: Shelagh King
    EEM_Cycle Against Torture_RD_260619_...JPG
  • Freedom from Torture supporters are taking on a mammoth cycle ride across Britain in aid of torture survivors who have been forced to flee their home country and are rebuilding their lives in the UK. <br />
<br />
The ride, beginning in Hastings on the 1 July and finishing in Edinburgh on 28 July, is broken down into 19 stages; Moira Dunworth, aged 65, and Shelagh King, a semi-retired doctor aged 64, are riding the whole way and other participants have signed up to some of the stages. Supporters across the country who are riding include Violet Hejazi, a young Syrian refugee who learnt to ride a bike specifically to take part in ‘Cycle against Torture 2019’. <br />
<br />
Pictured L to R: Moira Dunworth and Shelagh King
    EEM_Cycle Against Torture_RD_260619_...JPG
  • Freedom from Torture supporters are taking on a mammoth cycle ride across Britain in aid of torture survivors who have been forced to flee their home country and are rebuilding their lives in the UK. <br />
<br />
The ride, beginning in Hastings on the 1 July and finishing in Edinburgh on 28 July, is broken down into 19 stages; Moira Dunworth, aged 65, and Shelagh King, a semi-retired doctor aged 64, are riding the whole way and other participants have signed up to some of the stages. Supporters across the country who are riding include Violet Hejazi, a young Syrian refugee who learnt to ride a bike specifically to take part in ÔCycle against Torture 2019Õ. <br />
<br />
Pictured L to R: Moira Dunworth and Shelagh King
    EEM_Cycle Against Torture_RD_260619_...JPG
  • Freedom from Torture supporters are taking on a mammoth cycle ride across Britain in aid of torture survivors who have been forced to flee their home country and are rebuilding their lives in the UK. <br />
<br />
The ride, beginning in Hastings on the 1 July and finishing in Edinburgh on 28 July, is broken down into 19 stages; Moira Dunworth, aged 65, and Shelagh King, a semi-retired doctor aged 64, are riding the whole way and other participants have signed up to some of the stages. Supporters across the country who are riding include Violet Hejazi, a young Syrian refugee who learnt to ride a bike specifically to take part in ‘Cycle against Torture 2019’. <br />
<br />
Pictured: Shelagh King
    EEM_Cycle Against Torture_RD_260619_...JPG