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  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Jamie Carter, age 8 years, has fun learning about blood at the Blood Bar drop in event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Jamie Carter, age 8 years, with twins Alex and Evie, age 6 years, have fun learning about blood at the Blood Bar drop in event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  twins Alex and Evie, age 6 years, have fun learning about blood at the Blood Bar drop in event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Jamie Carter, age 8 years, with twins Alex and Evie, age 6 years, have fun learning about blood at the Blood Bar drop in event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  twins Alex and Evie, age 6 years, have fun learning about blood at the Blood Bar drop in event at the Science Festival.<br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  India, age 8 years, has fun learning about blood at the Blood Bar drop in event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  India and Lucy, age 8 years, have fun learning about blood at the Blood Bar drop in event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Evie, age 6 years, has fun learning about blood at the Blood Bar drop in event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Jamie Carter, age 8 years, has fun learning about blood at the Blood Bar drop in event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  learning about blood at the Blood Bar drop in event with Science Communicator Hannah and Jairus at the Science Festival. Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Jamie Carter, age 8 years, with twins Alex and Evie, age 6 years, have fun learning about blood at the Blood Bar drop in event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Kastinka, age 11 years and other children don gloves to have fun learning about blood with a sheep heart at the Blood Bar drop in event with Science Communicator Hannah at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Children have fun learning about blood with a sheep heart at the Blood Bar drop in event with Science Communicator Hannah at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Alex, age 6 years, has fun learning about blood with a sheep heart at the Blood Bar drop in event with Science Communicator Hannah at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Jamie Carter, age 8 years, and Katinka, age 11 years, have fun learning about blood with a sheep heart at the Blood Bar drop in event with Science Communicator Emma at the Science Festival. Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  JIndia and Lucy, age 8 years, and Evie, age 6 years have fun learning about blood at the Blood Bar drop in event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  JIndia and Lucy, age 8 years, and Evie, age 6 years have fun learning about blood at the Blood Bar drop in event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Alex, age 6  years, has fun learning about blood at the Blood Bar drop in event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Alex age 6 years, has fun learning about blood at the Blood Bar drop in event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Jamie Carter, age 8 years, has fun learning about blood at the Blood Bar drop in event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Liucy, age 8 years, and other children have fun learning about blood at the Blood Bar drop in event with Science Communicator Jairus at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Jamie Carter, age 8 years, has fun learning about blood at the Blood Bar drop in event with Science Communicator Emma at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Children have fun learning about blood at the Blood Bar drop in event with Science Communicators Emma and Hannah at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Children have fun learning about blood at the Blood Bar drop in event with Science Communicators Emma and Hannah at the Science Festival. <br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  India and Lucy, age 8 years, have fun learning about blood at the Blood Bar drop in event with Science Communicator Hannah at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Children have fun learning about blood with a sheep heart at the Blood Bar drop in event with Science Communicator Hannah at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Alex, age 6 years, has fun learning about blood with a sheep heart at the Blood Bar drop in event with Science Communicator Hannah at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Children have fun learning about blood with a sheep heart at the Blood Bar drop in event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Alex, age 6 years, has fun learning about blood with a sheep heart at the Blood Bar drop in event with Science Communicator Hannah at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Children have fun learning about blood with a sheep heart at the Blood Bar drop in event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  children have  fun learning about blood with a sheep heart at the Blood Bar drop in event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Children have fun learning about blood with a sheep heart at the Blood Bar drop in event at the Science Festival.<br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Inida, age 8 years, has fun learning about blood with a sheep heart at the Blood Bar drop in event with Science Communicator Hannah at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Jamie Carter, age 8 years, and other children has fun learning about blood with a sheep heart at the Blood Bar drop in event with Science Communicator Emma at the Science Festival. Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Jamie Carter, age 8 years, and other children have fun learning about blood at the Blood Bar drop in event with Science Communicator Emma at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Jamie Carter, age 8 years, and other children has fun learning about blood with a sheep heart at the Blood Bar drop in event with Science Communicator Emma at the Science Festival. <br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Science Communicator Oriana at the UK Space Agency event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Science Communicators Oriana and Giovanni at the UK Space Agency event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Science Communicator at Splat-Tastic chemistry goo workshop at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:   Alex, age 6 years, has fun learning about blood at the Blood Bar drop in event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  India and Lucy , age 8 years,  and Evie, age 6 years, have fun learning about blood at the Blood Bar drop in event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Evie, age 6 years, has fun learning about blood at the Blood Bar drop in event at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • City Arts Centre, Edinburgh, Scotland, United Kingdom, 9 April 2019. Edinburgh Science Festival:  Science Communicator entertains children at Splat-Tastic chemistry goo workshop at the Science Festival. <br />
<br />
Sally Anderson | EdinburghElitemedia.co.uk
    Edinburgh_Science_Festival_SA09April...jpg
  • Pictured: Ferdinand McKay (16), Perla Osk (16) and Stanley McKay (17) modelled some of the more artistic costumes created by fellow students.<br />
 <br />
Craigroyston Community High School put on an Expressive Arts Showcase - Try Everything to encourgage students to get involved with the arts. <br />
<br />
<br />
Ger Harley | EEm 7 June 2016
    SCT_EEm_Expressive_Arts_Showcase_GER...jpg
  • Pictured: Ferdinand McKay (16), Perla Osk (16) and Stanley McKay (17) modelled some of the more artistic costumes created by fellow students.<br />
 <br />
Craigroyston Community High School put on an Expressive Arts Showcase - Try Everything to encourgage students to get involved with the arts. <br />
<br />
<br />
Ger Harley | EEm 7 June 2016
    SCT_EEm_Expressive_Arts_Showcase_GER...jpg
  • Pictured: School students released thir frustrations as part of a samba band.<br />
<br />
Craigroyston Community High School put on an Expressive Arts Showcase - Try Everything to encourgage students to get involved with the arts. <br />
<br />
<br />
Ger Harley | EEm 7 June 2016
    SCT_EEm_Expressive_Arts_Showcase_GER...jpg
  • Pictured: School students released thir frustrations as part of a samba band.<br />
<br />
Craigroyston Community High School put on an Expressive Arts Showcase - Try Everything to encourgage students to get involved with the arts. <br />
<br />
<br />
Ger Harley | EEm 7 June 2016
    SCT_EEm_Expressive_Arts_Showcase_GER...jpg
  • Pictured: Ferdinand McKay (16), Perla Osk (16) and Stanley McKay (17) modelled some of the more artistic costumes created by fellow students.<br />
 <br />
Craigroyston Community High School put on an Expressive Arts Showcase - Try Everything to encourgage students to get involved with the arts. <br />
<br />
<br />
Ger Harley | EEm 7 June 2016
    SCT_EEm_Expressive_Arts_Showcase_GER...jpg
  • Pictured: Ferdinand McKay (16), Perla Osk (16) and Stanley McKay (17) modelled some of the more artistic costumes created by fellow students.<br />
 <br />
Craigroyston Community High School put on an Expressive Arts Showcase - Try Everything to encourgage students to get involved with the arts. <br />
<br />
<br />
Ger Harley | EEm 7 June 2016
    SCT_EEm_Expressive_Arts_Showcase_GER...jpg
  • Pictured: Ferdinand McKay (16), Perla Osk (16) and Stanley McKay (17) modelled some of the more artistic costumes created by fellow students.<br />
 <br />
Craigroyston Community High School put on an Expressive Arts Showcase - Try Everything to encourgage students to get involved with the arts. <br />
<br />
<br />
Ger Harley | EEm 7 June 2016
    SCT_EEm_Expressive_Arts_Showcase_GER...jpg
  • Pictured: Ferdinand McKay (16), Perla Osk (16) and Stanley McKay (17) modelled some of the more artistic costumes created by fellow students.<br />
 <br />
Craigroyston Community High School put on an Expressive Arts Showcase - Try Everything to encourgage students to get involved with the arts. <br />
<br />
<br />
Ger Harley | EEm 7 June 2016
    SCT_EEm_Expressive_Arts_Showcase_GER...jpg
  • Hidden Gems opens at Edinburgh’s City Art Centre on 7 October 2017<br />
<br />
Showcasing 50 artworks from the City Art Centre’s collection that have rarely – and in some cases never - been seen before by the public, an exhibition opening at the City Art Centre this weekend (Saturday 7 October) will shine a spotlight on Edinburgh’s lesser-known treasures.<br />
<br />
Free to visit, Hidden Gems will include artworks by famous names such as Lucien Pissarro, Man Ray, Joshua Reynolds and F.C.B Cadell, as well as lesser-known figures such as Bessie MacNicol, John Sheriff and Cecile Walton. The display will also bring several new acquisitions to public view for the first time, including significant works by Scottish artists Morris Grassie, Anthony Hatwell and Nicol Laidlaw.<br />
<br />
Spanning over 200 years from the 18th century to the present day, this rich and eclectic selection of historic and modern art covers a range of media, from oil paintings and sculptures, to tapestries and artists’ books.<br />
<br />
Pictured: xxxxx with Dr Helen Scott, Curator, City Arts Centre
    SCT_EEm_Hidden_Gems_Edinburgh_RD_051...JPG
  • Hidden Gems opens at Edinburgh’s City Art Centre on 7 October 2017<br />
<br />
Showcasing 50 artworks from the City Art Centre’s collection that have rarely – and in some cases never - been seen before by the public, an exhibition opening at the City Art Centre this weekend (Saturday 7 October) will shine a spotlight on Edinburgh’s lesser-known treasures.<br />
<br />
Free to visit, Hidden Gems will include artworks by famous names such as Lucien Pissarro, Man Ray, Joshua Reynolds and F.C.B Cadell, as well as lesser-known figures such as Bessie MacNicol, John Sheriff and Cecile Walton. The display will also bring several new acquisitions to public view for the first time, including significant works by Scottish artists Morris Grassie, Anthony Hatwell and Nicol Laidlaw.<br />
<br />
Spanning over 200 years from the 18th century to the present day, this rich and eclectic selection of historic and modern art covers a range of media, from oil paintings and sculptures, to tapestries and artists’ books.<br />
<br />
Pictured: xxxxx with Dr Helen Scott, Curator, City Arts Centre
    SCT_EEm_Hidden_Gems_Edinburgh_RD_051...JPG
  • Hidden Gems opens at Edinburgh’s City Art Centre on 7 October 2017<br />
<br />
Showcasing 50 artworks from the City Art Centre’s collection that have rarely – and in some cases never - been seen before by the public, an exhibition opening at the City Art Centre this weekend (Saturday 7 October) will shine a spotlight on Edinburgh’s lesser-known treasures.<br />
<br />
Free to visit, Hidden Gems will include artworks by famous names such as Lucien Pissarro, Man Ray, Joshua Reynolds and F.C.B Cadell, as well as lesser-known figures such as Bessie MacNicol, John Sheriff and Cecile Walton. The display will also bring several new acquisitions to public view for the first time, including significant works by Scottish artists Morris Grassie, Anthony Hatwell and Nicol Laidlaw.<br />
<br />
Spanning over 200 years from the 18th century to the present day, this rich and eclectic selection of historic and modern art covers a range of media, from oil paintings and sculptures, to tapestries and artists’ books.<br />
<br />
Pictured: xxxxx with Dr Helen Scott, Curator, City Arts Centre
    SCT_EEm_Hidden_Gems_Edinburgh_RD_051...JPG
  • Hidden Gems opens at Edinburgh’s City Art Centre on 7 October 2017<br />
<br />
Showcasing 50 artworks from the City Art Centre’s collection that have rarely – and in some cases never - been seen before by the public, an exhibition opening at the City Art Centre this weekend (Saturday 7 October) will shine a spotlight on Edinburgh’s lesser-known treasures.<br />
<br />
Free to visit, Hidden Gems will include artworks by famous names such as Lucien Pissarro, Man Ray, Joshua Reynolds and F.C.B Cadell, as well as lesser-known figures such as Bessie MacNicol, John Sheriff and Cecile Walton. The display will also bring several new acquisitions to public view for the first time, including significant works by Scottish artists Morris Grassie, Anthony Hatwell and Nicol Laidlaw.<br />
<br />
Spanning over 200 years from the 18th century to the present day, this rich and eclectic selection of historic and modern art covers a range of media, from oil paintings and sculptures, to tapestries and artists’ books.<br />
<br />
Pictured: xxxxx with Dr Helen Scott, Curator, City Arts Centre
    SCT_EEm_Hidden_Gems_Edinburgh_RD_051...JPG
  • Hidden Gems opens at Edinburgh’s City Art Centre on 7 October 2017<br />
<br />
Showcasing 50 artworks from the City Art Centre’s collection that have rarely – and in some cases never - been seen before by the public, an exhibition opening at the City Art Centre this weekend (Saturday 7 October) will shine a spotlight on Edinburgh’s lesser-known treasures.<br />
<br />
Free to visit, Hidden Gems will include artworks by famous names such as Lucien Pissarro, Man Ray, Joshua Reynolds and F.C.B Cadell, as well as lesser-known figures such as Bessie MacNicol, John Sheriff and Cecile Walton. The display will also bring several new acquisitions to public view for the first time, including significant works by Scottish artists Morris Grassie, Anthony Hatwell and Nicol Laidlaw.<br />
<br />
Spanning over 200 years from the 18th century to the present day, this rich and eclectic selection of historic and modern art covers a range of media, from oil paintings and sculptures, to tapestries and artists’ books.<br />
<br />
Pictured: xxxxx with Dr Helen Scott, Curator, City Arts Centre
    SCT_EEm_Hidden_Gems_Edinburgh_RD_051...JPG
  • Hidden Gems opens at Edinburgh’s City Art Centre on 7 October 2017<br />
<br />
Showcasing 50 artworks from the City Art Centre’s collection that have rarely – and in some cases never - been seen before by the public, an exhibition opening at the City Art Centre this weekend (Saturday 7 October) will shine a spotlight on Edinburgh’s lesser-known treasures.<br />
<br />
Free to visit, Hidden Gems will include artworks by famous names such as Lucien Pissarro, Man Ray, Joshua Reynolds and F.C.B Cadell, as well as lesser-known figures such as Bessie MacNicol, John Sheriff and Cecile Walton. The display will also bring several new acquisitions to public view for the first time, including significant works by Scottish artists Morris Grassie, Anthony Hatwell and Nicol Laidlaw.<br />
<br />
Spanning over 200 years from the 18th century to the present day, this rich and eclectic selection of historic and modern art covers a range of media, from oil paintings and sculptures, to tapestries and artists’ books.<br />
<br />
Pictured: xxxxx with Dr Helen Scott, Curator, City Arts Centre
    SCT_EEm_Hidden_Gems_Edinburgh_RD_051...JPG
  • Hidden Gems opens at Edinburgh’s City Art Centre on 7 October 2017<br />
<br />
Showcasing 50 artworks from the City Art Centre’s collection that have rarely – and in some cases never - been seen before by the public, an exhibition opening at the City Art Centre this weekend (Saturday 7 October) will shine a spotlight on Edinburgh’s lesser-known treasures.<br />
<br />
Free to visit, Hidden Gems will include artworks by famous names such as Lucien Pissarro, Man Ray, Joshua Reynolds and F.C.B Cadell, as well as lesser-known figures such as Bessie MacNicol, John Sheriff and Cecile Walton. The display will also bring several new acquisitions to public view for the first time, including significant works by Scottish artists Morris Grassie, Anthony Hatwell and Nicol Laidlaw.<br />
<br />
Spanning over 200 years from the 18th century to the present day, this rich and eclectic selection of historic and modern art covers a range of media, from oil paintings and sculptures, to tapestries and artists’ books.<br />
<br />
Pictured: xxxxx with Dr Helen Scott, Curator, City Arts Centre
    SCT_EEm_Hidden_Gems_Edinburgh_RD_051...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Curator of Fine Art, Helen Scott and Eduardo Paolozzi's Mr Cruickshank
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Curator of Fine Art, Helen Scott and the David Mach sculpture Local Hero
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Curator of Fine Art, Helen Scott and the David Mach sculpture Local Hero
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Curator of Fine Art, Helen Scott and the David Mach sculpture Local Hero
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Edinburgh College students Klaudia Plotka and Katie McLean inside placards from the recent city march against the election of President Trump
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Three year old Maddie Pearce with three of the sculpted pigeons by Shona Kinloch which previously were on display on Leith Walk before they were removed for the trams works to take place in the city.
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Three year old Maddie Pearce with three of the sculpted pigeons by Shona Kinloch which previously were on display on Leith Walk before they were removed for the trams works to take place in the city.
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
<br />
Pictured: Diana Morton, Outreach and Access Manager putting the final touches to the display of pantomime costumes. The costume on the left was the baroness in a production of Cinderella and on the right was worn by Una McLean when playing the part of Nanny in Babes in the Wood at Edinburgh's King's theatre
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
<br />
Pictured: Diana Morton, Outreach and Access Manager putting the final touches to the display of pantomime costumes. The costume was worn by Una McLean when playing the part of Nanny in Babes in the Wood at Edinburgh's King's theatre
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Diana Morton, Outreach and Access Manager putting the final touches to the display of pantomime costumes. The costume was worn by Una McLean when playing the part of Nanny in Babes in the Wood at Edinburgh's King's theatre
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Edinburgh College students Klaudia Plotka and Katie McLean inside placards from the recent city march against the election of President Trump
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Three year old Maddie Pearce with three of the sculpted pigeons by Shona Kinloch which previously were on display on Leith Walk before they were removed for the trams works to take place in the city.
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
Pictured: Josef Stitts wearing costume from The Tiger That Came for Tea designed by Gracie Martin, Gracie Martin wearing Maid Marion costume designed by Ellie Finch and Rachael Weir and Maddie Williams wearing Bugs Life costumes designed by Zoe Frewin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
Pictured: Josef Stitts wearing costume from The Tiger That Came for Tea designed by Gracie Martin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Josef Stitts wearing costume from The Tiger That Came for Tea designed by Gracie Martin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Io Cleaver wearing a costume from the self-devised ballet Mr Walter The Scientist designed by Yan Smiley
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Maddie Williams and Rachael Weir wearing Bugs Life costumes designed by Zoe Frewin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Maddie Williams and Rachael Weir wearing Bugs Life costumes designed by Zoe Frewin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Maddie Williams and Rachael Weir wearing Bugs Life costumes designed by Zoe Frewin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Gracie Martin wearing Maid Marion costume designed by Ellie Finch
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Gracie Martin wearing Maid Marion costume designed by Ellie Finch
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Josef Stitts wearing costume from The Tiger That Came for Tea designed by Gracie Martin, Gracie Martin wearing Maid Marion costume designed by Ellie Finch and Rachael Weir and Maddie Williams wearing Bugs Life costumes designed by Zoe Frewin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Josef Stitts wearing costume from The Tiger That Came for Tea designed by Gracie Martin, Gracie Martin wearing Maid Marion costume designed by Ellie Finch and Rachael Weir and Maddie Williams wearing Bugs Life costumes designed by Zoe Frewin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Josef Stitts wearing costume from The Tiger That Came for Tea designed by Gracie Martin, Gracie Martin wearing Maid Marion costume designed by Ellie Finch and Rachael Weir and Maddie Williams wearing Bugs Life costumes designed by Zoe Frewin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Josef Stitts wearing costume from The Tiger That Came for Tea designed by Gracie Martin, Gracie Martin wearing Maid Marion costume designed by Ellie Finch and Rachael Weir and Maddie Williams wearing Bugs Life costumes designed by Zoe Frewin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Josef Stitts wearing costume from The Tiger That Came for Tea designed by Gracie Martin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Io Cleaver wearing a costume from the self-devised ballet Mr Walter The Scientist designed by Yan Smiley
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Io Cleaver wearing a costume from the self-devised ballet Mr Walter The Scientist designed by Yan Smiley
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Josef Stitts wearing costume from The Tiger That Came for Tea designed by Gracie Martin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Josef Stitts wearing costume from The Tiger That Came for Tea designed by Gracie Martin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Io Cleaver wearing a costume from the self-devised ballet Mr Walter The Scientist designed by Yan Smiley
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Io Cleaver wearing a costume from the self-devised ballet Mr Walter The Scientist designed by Yan Smiley
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Io Cleaver wearing a costume from the self-devised ballet Mr Walter The Scientist designed by Yan Smiley
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Maddie Williams and Rachael Weir wearing Bugs Life costumes designed by Zoe Frewin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Maddie Williams and Rachael Weir wearing Bugs Life costumes designed by Zoe Frewin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Gracie Martin wearing Maid Marion costume designed by Ellie Finch
    EEM_ECA Performance Costume Show_Edi...JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.<br />
<br />
Pictured:
    EEM_Songs for Winter_RD_021117_0020.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0018.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0017.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0015.JPG
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