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  • Troglodyte dwelling in the village of Graufthal, Alsace, France.  The houses are built into the cliffs with the rock forming the ceiling and floor.  Dating back several centuries, the houses were inhabited until 1958 and are now a historical monument.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Alsace_France_AW12072013049.jpg
  • Troglodyte dwelling in the village of Graufthal, Alsace, France.  The houses are built into the cliffs with the rock forming the ceiling and floor.  Dating back several centuries, the houses were inhabited until 1958 and are now a historical monument.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Alsace_France_AW12072013050.jpg
  • Troglodyte dwelling in the village of Graufthal, Alsace, France.  The houses are built into the cliffs with the rock forming the ceiling and floor.  Dating back several centuries, the houses were inhabited until 1958 and are now a historical monument.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Alsace_France_AW12072013048.jpg
  • Interior of a workshop in a troglodyte dwelling in the village of Graufthal, Alsace, France.  The houses are built into the cliffs with the rock forming the ceiling and floor.  Dating back several centuries, the houses were inhabited until 1958 and are now a historical monument.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Alsace_France_AW12072013046.jpg
  • Interior of a workshop in a troglodyte dwelling in the village of Graufthal, Alsace, France.  The houses are built into the cliffs with the rock forming the ceiling and floor.  Dating back several centuries, the houses were inhabited until 1958 and are now a historical monument.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Alsace_France_AW12072013047.jpg
  • Interior of a troglodyte dwelling in the village of Graufthal, Alsace, France.  The houses are built into the cliffs with the rock forming the ceiling and floor.  Dating back several centuries, the houses were inhabited until 1958 and are now a historical monument.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Alsace_France_AW12072013045.jpg
  • Interior of a troglodyte dwelling in the village of Graufthal, Alsace, France.  The houses are built into the cliffs with the rock forming the ceiling and floor.  Dating back several centuries, the houses were inhabited until 1958 and are now a historical monument.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Alsace_France_AW12072013044.jpg
  • Interior of a troglodyte dwelling in the village of Graufthal, Alsace, France.  The houses are built into the cliffs with the rock forming the ceiling and floor.  Dating back several centuries, the houses were inhabited until 1958 and are now a historical monument.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Alsace_France_AW12072013043.jpg
  • Interior of a troglodyte dwelling in the village of Graufthal, Alsace, France.  The houses are built into the cliffs with the rock forming the ceiling and floor.  Dating back several centuries, the houses were inhabited until 1958 and are now a historical monument.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Alsace_France_AW12072013042.jpg
  • Interior of a troglodyte dwelling in the village of Graufthal, Alsace, France.  The houses are built into the cliffs with the rock forming the ceiling and floor.  Dating back several centuries, the houses were inhabited until 1958 and are now a historical monument.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Alsace_France_AW12072013040.jpg
  • Interior of a troglodyte dwelling in the village of Graufthal, Alsace, France.  The houses are built into the cliffs with the rock forming the ceiling and floor.  Dating back several centuries, the houses were inhabited until 1958 and are now a historical monument.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Alsace_France_AW12072013041.jpg
  • New and very old dwellings in the village of Graufthal, Alsace, France.  The troglodyte  houses are built into the cliffs with the rock forming the ceiling and floor.  Dating back several centuries, the houses were inhabited until 1958 and are now a historical monument.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    SCT_EEm_Alsace_France_AW14072013064.jpg
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Images taken on a beautiful sunny spring morning at Glenfinnan Monument.  Glenfinnan is a village in Lochaber area of the Highlands of Scotland. In 1745 The Jacobite Rising began when Prince Charles Edward Stuart ("Bonnie Prince Charlie") raised his standard on the shores of Loch Shiel. Seventy years later, the 18 m (60 ft) Glenfinnan Monument, at the head of the loch, was erected to commemorate the historic event. .... (c) Stephen Lawson | Edinburgh Elite media
    EEm_Glenfinnan_Monument_SL03052017_0...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Edinburgh College students Klaudia Plotka and Katie McLean inside placards from the recent city march against the election of President Trump
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Edinburgh College students Klaudia Plotka and Katie McLean inside placards from the recent city march against the election of President Trump
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Curator of Fine Art, Helen Scott and Eduardo Paolozzi's Mr Cruickshank
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Curator of Fine Art, Helen Scott and the David Mach sculpture Local Hero
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Three year old Maddie Pearce with three of the sculpted pigeons by Shona Kinloch which previously were on display on Leith Walk before they were removed for the trams works to take place in the city.
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Curator of Fine Art, Helen Scott and the David Mach sculpture Local Hero
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Three year old Maddie Pearce with three of the sculpted pigeons by Shona Kinloch which previously were on display on Leith Walk before they were removed for the trams works to take place in the city.
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
<br />
Pictured: Diana Morton, Outreach and Access Manager putting the final touches to the display of pantomime costumes. The costume on the left was the baroness in a production of Cinderella and on the right was worn by Una McLean when playing the part of Nanny in Babes in the Wood at Edinburgh's King's theatre
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
<br />
Pictured: Diana Morton, Outreach and Access Manager putting the final touches to the display of pantomime costumes. The costume was worn by Una McLean when playing the part of Nanny in Babes in the Wood at Edinburgh's King's theatre
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Diana Morton, Outreach and Access Manager putting the final touches to the display of pantomime costumes. The costume was worn by Una McLean when playing the part of Nanny in Babes in the Wood at Edinburgh's King's theatre
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Curator of Fine Art, Helen Scott and the David Mach sculpture Local Hero
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
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They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
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The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
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Pictured: Three year old Maddie Pearce with three of the sculpted pigeons by Shona Kinloch which previously were on display on Leith Walk before they were removed for the trams works to take place in the city.
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Autumn colour at Melrose Abbey in the Scottish Borders.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Autumn_Colour_Melrose_Abbey_AW_0...jpg
  • Autumn colour at Melrose Abbey in the Scottish Borders.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Autumn_Colour_Melrose_Abbey_AW_0...jpg
  • Autumn colour at Melrose Abbey in the Scottish Borders.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Autumn_Colour_Melrose_Abbey_AW_0...jpg
  • Autumn colour at Melrose Abbey in the Scottish Borders.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Autumn_Colour_Melrose_Abbey_AW_0...jpg
  • Autumn colour at Melrose Abbey in the Scottish Borders.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Autumn_Colour_Melrose_Abbey_AW_0...jpg
  • Autumn colour at Melrose Abbey in the Scottish Borders.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Autumn_Colour_Melrose_Abbey_AW_0...jpg
  • Autumn colour at Melrose Abbey in the Scottish Borders.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Autumn_Colour_Melrose_Abbey_AW_0...jpg
  • Kelso Abbey, Scottish Borders<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Kelso_Abbey_AW17052015018.jpg
  • Kelso Abbey, Scottish Borders<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Kelso_Abbey_AW17052015016.jpg
  • Kelso Abbey, Scottish Borders<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Kelso_Abbey_AW17052015017.jpg
  • The Roxburghe Memorial Cloister – built in the 1930s to commemorate the 8th Duke of Roxburghe, Kelso Abbey, Scottish Borders<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Kelso_Abbey_AW17052015014.jpg
  • Kelso Abbey, Scottish Borders<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Kelso_Abbey_AW17052015015.jpg
  • The Roxburghe Memorial Cloister – built in the 1930s to commemorate the 8th Duke of Roxburghe, Kelso Abbey, Scottish Borders<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Kelso_Abbey_AW17052015011.jpg
  • Kelso Abbey, Scottish Borders<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Kelso_Abbey_AW17052015007.jpg
  • Kelso Abbey, Scottish Borders<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Kelso_Abbey_AW17052015006.jpg
  • Kelso Abbey, Scottish Borders<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Kelso_Abbey_AW17052015004.jpg
  • Kelso Abbey, Scottish Borders<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Kelso_Abbey_AW17052015003.jpg
  • Kelso Abbey, Scottish Borders<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Kelso_Abbey_AW17052015001.jpg
  • Autumn colour at Melrose Abbey in the Scottish Borders.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Autumn_Colour_Melrose_Abbey_AW_0...jpg
  • Autumn colour at Melrose Abbey in the Scottish Borders.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Autumn_Colour_Melrose_Abbey_AW_0...jpg
  • Autumn colour at Melrose Abbey in the Scottish Borders.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Autumn_Colour_Melrose_Abbey_AW_0...jpg
  • Kelso Abbey, Scottish Borders<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Kelso_Abbey_AW17052015002.jpg
  • The Roxburghe Memorial Cloister – built in the 1930s to commemorate the 8th Duke of Roxburghe, Kelso Abbey, Scottish Borders<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Kelso_Abbey_AW17052015013.jpg
  • The Roxburghe Memorial Cloister – built in the 1930s to commemorate the 8th Duke of Roxburghe, Kelso Abbey, Scottish Borders<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Kelso_Abbey_AW17052015012.jpg
  • The Roxburghe Memorial Cloister – built in the 1930s to commemorate the 8th Duke of Roxburghe, Kelso Abbey, Scottish Borders<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Kelso_Abbey_AW17052015010.jpg
  • The Roxburghe Memorial Cloister – built in the 1930s to commemorate the 8th Duke of Roxburghe, Kelso Abbey, Scottish Borders<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Kelso_Abbey_AW17052015009.jpg
  • The Roxburghe Memorial Cloister – built in the 1930s to commemorate the 8th Duke of Roxburghe, Kelso Abbey, Scottish Borders<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Kelso_Abbey_AW17052015008.jpg
  • Kelso Abbey and graveyard, Scottish Borders<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Kelso_Abbey_AW17052015005.jpg
  • The 'Butter Market' in Market Place, Barnard Castle, Teesdale, County Durham, England takem from inside the 'Butter Market'.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Barnard_Castle_AW_10032016_010.JPG
  • The 'Butter Market' in Market Place, Barnard Castle, Teesdale, County Durham, England takem from inside the 'Butter Market'.<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Barnard_Castle_AW_10032016_009.JPG
  • The Callanish Stones, Isle of Lewis, Outer Hebrides, Scotland<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Outer_Hebrides_AW20032014001.jpg
  • The Callanish Stones in the moonlight, Isle of Lewis, Outer Hebrides, Scotland<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Outer_Hebrides_AW22032014021.jpg
  • The Callanish Stones, Isle of Lewis, Outer Hebrides, Scotland<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Outer_Hebrides_AW20032014013.jpg
  • The Callanish Stones, Isle of Lewis, Outer Hebrides, Scotland<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Outer_Hebrides_AW20032014014.jpg
  • The Callanish Stones, Isle of Lewis, Outer Hebrides, Scotland<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Outer_Hebrides_AW20032014012.jpg
  • The Callanish Stones, Isle of Lewis, Outer Hebrides, Scotland<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Outer_Hebrides_AW20032014011.jpg
  • The Callanish Stones, Isle of Lewis, Outer Hebrides, Scotland<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Outer_Hebrides_AW20032014010.jpg
  • The Callanish Stones, Isle of Lewis, Outer Hebrides, Scotland<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Outer_Hebrides_AW20032014009.jpg
  • The Callanish Stones, Isle of Lewis, Outer Hebrides, Scotland<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Outer_Hebrides_AW20032014006.jpg
  • The Callanish Stones, Isle of Lewis, Outer Hebrides, Scotland<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Outer_Hebrides_AW20032014005.jpg
  • The Callanish Stones, Isle of Lewis, Outer Hebrides, Scotland<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Outer_Hebrides_AW20032014004.jpg
  • The Callanish Stones, Isle of Lewis, Outer Hebrides, Scotland<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Outer_Hebrides_AW20032014002.jpg
  • The Callanish Stones, Isle of Lewis, Outer Hebrides, Scotland<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Outer_Hebrides_AW20032014003.jpg
  • The Callanish Stones, Isle of Lewis, Outer Hebrides, Scotland<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Outer_Hebrides_AW20032014015.jpg
  • The Callanish Stones, Isle of Lewis, Outer Hebrides, Scotland<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Outer_Hebrides_AW20032014008.jpg
  • The Callanish Stones, Isle of Lewis, Outer Hebrides, Scotland<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Outer_Hebrides_AW20032014007.jpg
  • Pictured: Piers Dixon<br />
<br />
Piers Dixon lives in Innerleithen. He has excavated on both urban and rural medieval sites in the Borders, and now works in Edinburgh for the Royal Commission on the Ancient and Historical Monuments of Scotland. He is also a member of the Institute of Field Archaeologists and a Fellow of the Society of Antiquaries of Scotland.
    SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
  • Pictured: Piers Dixson and Fiona Watson<br />
<br />
Piers Dixon lives in Innerleithen. He has excavated on both urban and rural medieval sites in the Borders, and now works in Edinburgh for the Royal Commission on the Ancient and Historical Monuments of Scotland. He is also a member of the Institute of Field Archaeologists and a Fellow of the Society of Antiquaries of Scotland.<br />
<br />
Fiona Watson is a Scottish historian and television presenter. She is best known for her 2001 BBC series In Search of Scotland.<br />
<br />
Watson originates from Dunfermline, and now lives in Braco. She obtained her degree in Medieval History from the University of St. Andrews, followed by a Ph D from the University of Glasgow. She is a Research Fellow of the University of Dundee, and was the first Director of the Centre for Environmental History at the University of Stirling, where she was a senior lecturer in history. She is also a research consultant at the Centre for History of the University of the Highlands and Islands.
    SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
  • Pictured: Piers Dixson and Fiona Watson<br />
<br />
Piers Dixon lives in Innerleithen. He has excavated on both urban and rural medieval sites in the Borders, and now works in Edinburgh for the Royal Commission on the Ancient and Historical Monuments of Scotland. He is also a member of the Institute of Field Archaeologists and a Fellow of the Society of Antiquaries of Scotland.<br />
<br />
Fiona Watson is a Scottish historian and television presenter. She is best known for her 2001 BBC series In Search of Scotland.<br />
<br />
Watson originates from Dunfermline, and now lives in Braco. She obtained her degree in Medieval History from the University of St. Andrews, followed by a Ph D from the University of Glasgow. She is a Research Fellow of the University of Dundee, and was the first Director of the Centre for Environmental History at the University of Stirling, where she was a senior lecturer in history. She is also a research consultant at the Centre for History of the University of the Highlands and Islands.
    SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
  • Pictured: Piers Dixon<br />
<br />
Piers Dixon lives in Innerleithen. He has excavated on both urban and rural medieval sites in the Borders, and now works in Edinburgh for the Royal Commission on the Ancient and Historical Monuments of Scotland. He is also a member of the Institute of Field Archaeologists and a Fellow of the Society of Antiquaries of Scotland.
    SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
  • Pictured: Piers Dixon<br />
<br />
Piers Dixon lives in Innerleithen. He has excavated on both urban and rural medieval sites in the Borders, and now works in Edinburgh for the Royal Commission on the Ancient and Historical Monuments of Scotland. He is also a member of the Institute of Field Archaeologists and a Fellow of the Society of Antiquaries of Scotland.
    SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
  • Pictured: Piers Dixon<br />
<br />
Piers Dixon lives in Innerleithen. He has excavated on both urban and rural medieval sites in the Borders, and now works in Edinburgh for the Royal Commission on the Ancient and Historical Monuments of Scotland. He is also a member of the Institute of Field Archaeologists and a Fellow of the Society of Antiquaries of Scotland.
    SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
  • Pictured: Piers Dixon<br />
<br />
Piers Dixon lives in Innerleithen. He has excavated on both urban and rural medieval sites in the Borders, and now works in Edinburgh for the Royal Commission on the Ancient and Historical Monuments of Scotland. He is also a member of the Institute of Field Archaeologists and a Fellow of the Society of Antiquaries of Scotland.
    SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
  • Pictured: Piers Dixson and Fiona Watson<br />
<br />
Piers Dixon lives in Innerleithen. He has excavated on both urban and rural medieval sites in the Borders, and now works in Edinburgh for the Royal Commission on the Ancient and Historical Monuments of Scotland. He is also a member of the Institute of Field Archaeologists and a Fellow of the Society of Antiquaries of Scotland.<br />
<br />
Fiona Watson is a Scottish historian and television presenter. She is best known for her 2001 BBC series In Search of Scotland.<br />
<br />
Watson originates from Dunfermline, and now lives in Braco. She obtained her degree in Medieval History from the University of St. Andrews, followed by a Ph D from the University of Glasgow. She is a Research Fellow of the University of Dundee, and was the first Director of the Centre for Environmental History at the University of Stirling, where she was a senior lecturer in history. She is also a research consultant at the Centre for History of the University of the Highlands and Islands.
    SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
  • Pictured: Piers Dixon<br />
<br />
Piers Dixon lives in Innerleithen. He has excavated on both urban and rural medieval sites in the Borders, and now works in Edinburgh for the Royal Commission on the Ancient and Historical Monuments of Scotland. He is also a member of the Institute of Field Archaeologists and a Fellow of the Society of Antiquaries of Scotland.
    SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
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