Facebook
Twitter
x
Edinburgh Elite media
Portfolio
About
Archive
Contact
Show Navigation
Cart
Lightbox
Client Area
Search Results
Refine Search
Keywords:
Match all words
Match any word
City:
State (US):
Alabama
Alaska
Arizona
Arkansas
California
Colorado
Connecticut
Delaware
District of Columbia
Florida
Georgia
Hawaii
Idaho
Illinois
Indiana
Iowa
Kansas
Kentucky
Louisiana
Maine
Maryland
Massachusetts
Michigan
Minnesota
Mississippi
Missouri
Montana
Nebraska
Nevada
New Hampshire
New Jersey
New Mexico
New York
North Carolina
North Dakota
Ohio
Oklahoma
Oregon
Pennsylvania
Rhode Island
South Carolina
South Dakota
Tennessee
Texas
Utah
Vermont
Virginia
Washington
West Virginia
Wisconsin
Wyoming
Armed Forces Americas
Armed Forces
Armed Forces Pacific
Country:
United States
Afghanistan
Albania
Algeria
Aland Islands
American Samoa
Andorra
Angola
Anguilla
Antarctica
Antigua/Barbuda
Argentina
Armenia
Aruba
Australia
Austria
Azerbaijan
Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belgium
Belize
Benin
Bermuda
Bhutan
Bolivia
Bosnia/Herzegowina
Botswana
Bouvet Island
Brazil
British Indian Ocean Territory
Brunei Darussalam
Bulgaria
Burkina Faso
Burundi
Cambodia
Cameroon
Canada
Cape Verde
Cayman Islands
Central African Republic
Chad
Chile
China
Christmas Island
Cocos (Keeling) Islands
Colombia
Comoros
Congo, Democratic Republic
Congo
Cook Islands
Costa Rica
Cote D'ivoire
Croatia
Cuba
Cyprus
Czech Republic
Denmark
Djibouti
Dominica
Dominican Republic
East Timor
Ecuador
Egypt
El Salvador
Equatorial Guinea
Eritrea
Estonia
Ethiopia
Falkland Islands (Malvinas)
Faroe Islands
Fiji
Finland
France
French Guiana
French Polynesia
French Southern Territories
Gabon
Gambia
Georgia
Germany
Ghana
Gibraltar
Greece
Greenland
Grenada
Guadeloupe
Guam
Guatemala
Guernsey
Guinea
Guinea-Bissau
Guyana
Haiti
Heard/McDonald Islands
Honduras
Hong Kong
Hungary
Iceland
India
Indonesia
Iran (Islamic Republic)
Iraq
Ireland
Israel
Isle of Man
Italy
Jamaica
Japan
Jersey
Jordan
Kazakhstan
Kenya
Kiribati
Korea, D.P.R.
Korea, Republic
Kosovo
Kuwait
Kyrgyzstan
Lao, P.D.R.
Latvia
Lebanon
Lesotho
Liberia
Libyan Arab Jamahiriya
Liechtenstein
Lithuania
Luxembourg
Macau
Macedonia
Madagascar
Malawi
Malaysia
Maldives
Mali
Malta
Marshall Islands
Martinique
Mauritania
Mauritius
Mayotte
Mexico
Micronesia, Federated States
Moldova, Republic
Monaco
Mongolia
Montenegro
Montserrat
Morocco
Mozambique
Myanmar
Namibia
Nauru
Nepal
Netherlands
Netherlands Antilles
New Caledonia
New Zealand
Nicaragua
Niger
Nigeria
Niue
Norfolk Island
Northern Mariana Islands
Norway
Oman
Pakistan
Palestinian Territory
Palau
Panama
Papua New Guinea
Paraguay
Peru
Philippines
Pitcairn
Poland
Portugal
Puerto Rico
Qatar
Reunion
Romania
Russian Federation
Rwanda
Saint Kitts/Nevis
Saint Lucia
Saint Vincent/Grenadines
Samoa
San Marino
Sao Tome/Principe
Saudi Arabia
Serbia
Senegal
Seychelles
Sierra Leone
Singapore
Slovakia (Slovak Republic)
Slovenia
Solomon Islands
Somalia
South Africa
South Sudan
S. Georgia/Sandwich Islands
Spain
Sri Lanka
St. Helena
St. Pierre/Miquelon
Sudan
Suriname
Svalbard/Jan Mayen Islands
Swaziland
Sweden
Switzerland
Syrian Arab Republic
Taiwan
Tajikistan
Tanzania, United Republic
Thailand
Timor-Leste
Togo
Tokelau
Tonga
Trinidad/Tobago
Tunisia
Turkey
Turkmenistan
Turks/Caicos Islands
Tuvalu
Uganda
Ukraine
United Arab Emirates
United Kingdom
U.S. Minor Outlying Islands
Uruguay
Uzbekistan
Vanuatu
Vatican City State (Holy See)
Venezuela
Viet Nam
Virgin Islands (British)
Virgin Islands (U.S.)
Wallis/Futuna Islands
Western Sahara
Yemen
Yugoslavia
Zaire
Zambia
Zimbabwe
Model Released:
Yes
No
Any
Property Released:
Yes
No
Any
Orientation:
Vertical
Horizontal
Square
Panoramic
Any
Pricing Type:
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
Sort By:
Relevance
Date (most recent)
{ 98 images found }
Loading (
)...
EEm_Bonhams_Annual_Sale_Edinburgh_GE...jpg
EEm_Bonhams_Annual_Sale_Edinburgh_GE...jpg
EEm_Bonhams_Annual_Sale_Edinburgh_GE...jpg
EEm_Great_Cumbrae_Geese_AW1402201700...jpg
EEm_Great_Cumbrae_Geese_AW1402201700...jpg
EEm_Stock_Swans_at_Dusk_AW022.jpg
EEm_Stock_Swans_at_Dusk_AW013.jpg
EEm_Stock_Swans_at_Dusk_AW014.jpg
EEm_Stock_Swans_at_Dusk_AW011.jpg
EEm_Stock_Swans_at_Dusk_AW008.jpg
EEm_Stock_Swans_at_Dusk_AW004.jpg
EEm_Stock_Swans_at_Dusk_AW005.jpg
EEm_Stock_Swans_at_Dusk_AW003.jpg
EEm_Stock_Swans_at_Dusk_AW001.jpg
EEm_Great_Cumbrae_Geese_AW1402201700...jpg
EEm_Great_Cumbrae_Geese_AW1402201700...jpg
EEm_Great_Cumbrae_Geese_AW1402201700...jpg
EEm_Stock_Swans_at_Dusk_AW021.jpg
EEm_Stock_Swans_at_Dusk_AW019.jpg
EEm_Stock_Swans_at_Dusk_AW020.jpg
EEm_Stock_Swans_at_Dusk_AW018.jpg
EEm_Stock_Swans_at_Dusk_AW015.jpg
EEm_Stock_Swans_at_Dusk_AW017.jpg
EEm_Stock_Swans_at_Dusk_AW016.jpg
EEm_Stock_Swans_at_Dusk_AW012.jpg
EEm_Stock_Swans_at_Dusk_AW009.jpg
EEm_Stock_Swans_at_Dusk_AW010.jpg
EEm_Stock_Swans_at_Dusk_AW007.jpg
EEm_Stock_Swans_at_Dusk_AW006.jpg
EEm_Stock_Swans_at_Dusk_AW002.jpg
SCT_EEm_School_Statistics_Published_...jpg
SCT_EEm_School_Statistics_Published_...jpg
SCT_EEm_School_Statistics_Published_...jpg
SCT_EEm_School_Statistics_Published_...jpg
SCT_EEm_School_Statistics_Published_...jpg
SCT_EEm_School_Statistics_Published_...jpg
SCT_EEm_School_Statistics_Published_...jpg
SCT_EEm_Climate_Change_Debate_prepar...jpg
EEM_Bonhams Sporting Sale_RD_151018_...JPG
SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
EEm_Pheasant_in_Snow_AW_21012021_015.JPG
EEm_Pheasant_in_Snow_AW_21012021_005.JPG
EEm_Pheasant_in_Snow_AW_21012021_007.JPG
EEm_Pheasant_in_Snow_AW_21012021_006.JPG
EEm_Pheasant_in_Snow_AW_21012021_002.JPG
EEm_Pheasant_in_Snow_AW_21012021_004.JPG
EEm_Pheasant_in_Snow_AW_21012021_001.JPG
EEm_Pheasant_in_Snow_AW_21012021_003.JPG
SCT_EEm_Climate_Change_Debate_prepar...jpg
SCT_EEm_Climate_Change_Debate_prepar...jpg
SCT_EEm_Climate_Change_Debate_prepar...jpg
SCT_EEm_Climate_Change_Debate_prepar...jpg
SCT_EEm_Climate_Change_Debate_prepar...jpg
SCT_EEm_Climate_Change_Debate_prepar...jpg
SCT_EEm_Climate_Change_Debate_prepar...jpg
SCT_EEm_Climate_Change_Debate_prepar...jpg
SCT_EEm_Climate_Change_Debate_prepar...jpg
SCT_EEm_Climate_Change_Debate_prepar...jpg
SCT_EEm_Climate_Change_Debate_prepar...jpg
SCT_EEm_Climate_Change_Debate_prepar...jpg
SCT_EEm_Climate_Change_Debate_prepar...jpg
SCT_EEm_Climate_Change_Debate_prepar...jpg
SCT_EEm_Climate_Change_Debate_prepar...jpg
EEM_Bonhams Sporting Sale_RD_151018_...JPG
EEM_Bonhams Sporting Sale_RD_151018_...JPG
SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
SCT_EEm_Climate_Change_Debate_prepar...jpg
SCT_EEm_Climate_Change_Debate_prepar...jpg
SCT_EEm_Climate_Change_Debate_prepar...jpg
EEm_Amazon_Clicks_Mortar_Shop_Edinbu...jpg
SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
SCT_EEm_Book_Festival_ Edinburgh_GER...jpg
EEm_Pheasant_in_Snow_AW_21012021_009.JPG
EEm_Pheasant_in_Snow_AW_21012021_010.JPG
EEm_Pheasant_in_Snow_AW_21012021_014.JPG
EEm_Pheasant_in_Snow_AW_21012021_008.JPG
EEm_Pheasant_in_Snow_AW_21012021_011.JPG
EEm_Pheasant_in_Snow_AW_21012021_013.JPG
EEm_Pheasant_in_Snow_AW_21012021_012.JPG
SCT_EEm_School_Statistics_Published_...jpg
SCT_EEm_School_Statistics_Published_...jpg
SCT_EEm_School_Statistics_Published_...jpg
SCT_EEm_School_Statistics_Published_...jpg
SCT_EEm_School_Statistics_Published_...jpg
![Pictured: Ngũgĩ wa Thiong'o<br />
<br />
Ngũgĩ wa Thiong'o (Gikuyu pronunciation: [ᵑɡoɣe wá ðiɔŋɔ]; born 5 January 1938)[1] is a Kenyan writer, formerly working in English and now working in Gikuyu. His work includes novels, plays, short stories, and essays, ranging from literary and social criticism to children's literature. He is the founder and editor of the Gikuyu-language journal Mũtĩiri.<br />
<br />
In 1977, Ngũgĩ embarked upon a novel form of theatre in his native Kenya that sought to liberate the theatrical process from what he held to be "the general bourgeois education system", by encouraging spontaneity and audience participation in the performances.[2] His project sought to "demystify" the theatrical process, and to avoid the "process of alienation [that] produces a gallery of active stars and an undifferentiated mass of grateful admirers" which, according to Ngũgĩ, encourages passivity in "ordinary people". Although Ngaahika Ndeenda was a commercial success, it was shut down by the authoritarian Kenyan regime six weeks after its opening.<br />
<br />
Ngũgĩ was subsequently imprisoned for over a year. Adopted as an Amnesty International prisoner of conscience, the artist was released from prison, and fled Kenya. In the United States, he taught at Yale University for some years, and has since also taught at New York University, with a dual professorship in Comparative Literature and Performance Studies, and at the University of California, Irvine. Ngũgĩ has frequently been regarded as a likely candidate for the Nobel Prize in Literature. His son is the author Mũkoma wa Ngũgĩ.<br />
<br />
Ger Harley | EEm 11 August 2018](https://m.psecn.photoshelter.com/img-get2/I0000BsVYe11ULBU/fill=/fit=250x250/I0000BsVYe11ULBU.jpg)
![Pictured: Ngũgĩ wa Thiong'o<br />
<br />
Ngũgĩ wa Thiong'o (Gikuyu pronunciation: [ᵑɡoɣe wá ðiɔŋɔ]; born 5 January 1938)[1] is a Kenyan writer, formerly working in English and now working in Gikuyu. His work includes novels, plays, short stories, and essays, ranging from literary and social criticism to children's literature. He is the founder and editor of the Gikuyu-language journal Mũtĩiri.<br />
<br />
In 1977, Ngũgĩ embarked upon a novel form of theatre in his native Kenya that sought to liberate the theatrical process from what he held to be "the general bourgeois education system", by encouraging spontaneity and audience participation in the performances.[2] His project sought to "demystify" the theatrical process, and to avoid the "process of alienation [that] produces a gallery of active stars and an undifferentiated mass of grateful admirers" which, according to Ngũgĩ, encourages passivity in "ordinary people". Although Ngaahika Ndeenda was a commercial success, it was shut down by the authoritarian Kenyan regime six weeks after its opening.<br />
<br />
Ngũgĩ was subsequently imprisoned for over a year. Adopted as an Amnesty International prisoner of conscience, the artist was released from prison, and fled Kenya. In the United States, he taught at Yale University for some years, and has since also taught at New York University, with a dual professorship in Comparative Literature and Performance Studies, and at the University of California, Irvine. Ngũgĩ has frequently been regarded as a likely candidate for the Nobel Prize in Literature. His son is the author Mũkoma wa Ngũgĩ.<br />
<br />
Ger Harley | EEm 11 August 2018](https://m.psecn.photoshelter.com/img-get2/I0000cQNHplGBv4s/fill=/fit=250x250/I0000cQNHplGBv4s.jpg)
![Pictured: Ngũgĩ wa Thiong'o<br />
<br />
Ngũgĩ wa Thiong'o (Gikuyu pronunciation: [ᵑɡoɣe wá ðiɔŋɔ]; born 5 January 1938)[1] is a Kenyan writer, formerly working in English and now working in Gikuyu. His work includes novels, plays, short stories, and essays, ranging from literary and social criticism to children's literature. He is the founder and editor of the Gikuyu-language journal Mũtĩiri.<br />
<br />
In 1977, Ngũgĩ embarked upon a novel form of theatre in his native Kenya that sought to liberate the theatrical process from what he held to be "the general bourgeois education system", by encouraging spontaneity and audience participation in the performances.[2] His project sought to "demystify" the theatrical process, and to avoid the "process of alienation [that] produces a gallery of active stars and an undifferentiated mass of grateful admirers" which, according to Ngũgĩ, encourages passivity in "ordinary people". Although Ngaahika Ndeenda was a commercial success, it was shut down by the authoritarian Kenyan regime six weeks after its opening.<br />
<br />
Ngũgĩ was subsequently imprisoned for over a year. Adopted as an Amnesty International prisoner of conscience, the artist was released from prison, and fled Kenya. In the United States, he taught at Yale University for some years, and has since also taught at New York University, with a dual professorship in Comparative Literature and Performance Studies, and at the University of California, Irvine. Ngũgĩ has frequently been regarded as a likely candidate for the Nobel Prize in Literature. His son is the author Mũkoma wa Ngũgĩ.<br />
<br />
Ger Harley | EEm 11 August 2018](https://m.psecn.photoshelter.com/img-get2/I000015pqi_FGh6Y/fill=/fit=250x250/I000015pqi_FGh6Y.jpg)
![Pictured: Ngũgĩ wa Thiong'o<br />
<br />
Ngũgĩ wa Thiong'o (Gikuyu pronunciation: [ᵑɡoɣe wá ðiɔŋɔ]; born 5 January 1938)[1] is a Kenyan writer, formerly working in English and now working in Gikuyu. His work includes novels, plays, short stories, and essays, ranging from literary and social criticism to children's literature. He is the founder and editor of the Gikuyu-language journal Mũtĩiri.<br />
<br />
In 1977, Ngũgĩ embarked upon a novel form of theatre in his native Kenya that sought to liberate the theatrical process from what he held to be "the general bourgeois education system", by encouraging spontaneity and audience participation in the performances.[2] His project sought to "demystify" the theatrical process, and to avoid the "process of alienation [that] produces a gallery of active stars and an undifferentiated mass of grateful admirers" which, according to Ngũgĩ, encourages passivity in "ordinary people". Although Ngaahika Ndeenda was a commercial success, it was shut down by the authoritarian Kenyan regime six weeks after its opening.<br />
<br />
Ngũgĩ was subsequently imprisoned for over a year. Adopted as an Amnesty International prisoner of conscience, the artist was released from prison, and fled Kenya. In the United States, he taught at Yale University for some years, and has since also taught at New York University, with a dual professorship in Comparative Literature and Performance Studies, and at the University of California, Irvine. Ngũgĩ has frequently been regarded as a likely candidate for the Nobel Prize in Literature. His son is the author Mũkoma wa Ngũgĩ.<br />
<br />
Ger Harley | EEm 11 August 2018](https://m.psecn.photoshelter.com/img-get2/I0000xrUMytuEsMM/fill=/fit=250x250/I0000xrUMytuEsMM.jpg)
![Pictured: Ngũgĩ wa Thiong'o<br />
<br />
Ngũgĩ wa Thiong'o (Gikuyu pronunciation: [ᵑɡoɣe wá ðiɔŋɔ]; born 5 January 1938)[1] is a Kenyan writer, formerly working in English and now working in Gikuyu. His work includes novels, plays, short stories, and essays, ranging from literary and social criticism to children's literature. He is the founder and editor of the Gikuyu-language journal Mũtĩiri.<br />
<br />
In 1977, Ngũgĩ embarked upon a novel form of theatre in his native Kenya that sought to liberate the theatrical process from what he held to be "the general bourgeois education system", by encouraging spontaneity and audience participation in the performances.[2] His project sought to "demystify" the theatrical process, and to avoid the "process of alienation [that] produces a gallery of active stars and an undifferentiated mass of grateful admirers" which, according to Ngũgĩ, encourages passivity in "ordinary people". Although Ngaahika Ndeenda was a commercial success, it was shut down by the authoritarian Kenyan regime six weeks after its opening.<br />
<br />
Ngũgĩ was subsequently imprisoned for over a year. Adopted as an Amnesty International prisoner of conscience, the artist was released from prison, and fled Kenya. In the United States, he taught at Yale University for some years, and has since also taught at New York University, with a dual professorship in Comparative Literature and Performance Studies, and at the University of California, Irvine. Ngũgĩ has frequently been regarded as a likely candidate for the Nobel Prize in Literature. His son is the author Mũkoma wa Ngũgĩ.<br />
<br />
Ger Harley | EEm 11 August 2018](https://m.psecn.photoshelter.com/img-get2/I0000HZHrHxPEe5w/fill=/fit=250x250/I0000HZHrHxPEe5w.jpg)
![Pictured: Ngũgĩ wa Thiong'o<br />
<br />
Ngũgĩ wa Thiong'o (Gikuyu pronunciation: [ᵑɡoɣe wá ðiɔŋɔ]; born 5 January 1938)[1] is a Kenyan writer, formerly working in English and now working in Gikuyu. His work includes novels, plays, short stories, and essays, ranging from literary and social criticism to children's literature. He is the founder and editor of the Gikuyu-language journal Mũtĩiri.<br />
<br />
In 1977, Ngũgĩ embarked upon a novel form of theatre in his native Kenya that sought to liberate the theatrical process from what he held to be "the general bourgeois education system", by encouraging spontaneity and audience participation in the performances.[2] His project sought to "demystify" the theatrical process, and to avoid the "process of alienation [that] produces a gallery of active stars and an undifferentiated mass of grateful admirers" which, according to Ngũgĩ, encourages passivity in "ordinary people". Although Ngaahika Ndeenda was a commercial success, it was shut down by the authoritarian Kenyan regime six weeks after its opening.<br />
<br />
Ngũgĩ was subsequently imprisoned for over a year. Adopted as an Amnesty International prisoner of conscience, the artist was released from prison, and fled Kenya. In the United States, he taught at Yale University for some years, and has since also taught at New York University, with a dual professorship in Comparative Literature and Performance Studies, and at the University of California, Irvine. Ngũgĩ has frequently been regarded as a likely candidate for the Nobel Prize in Literature. His son is the author Mũkoma wa Ngũgĩ.<br />
<br />
Ger Harley | EEm 11 August 2018](https://m.psecn.photoshelter.com/img-get2/I0000_0ic_ROXzn0/fill=/fit=250x250/I0000_0ic_ROXzn0.jpg)
![Pictured: Ngũgĩ wa Thiong'o<br />
<br />
Ngũgĩ wa Thiong'o (Gikuyu pronunciation: [ᵑɡoɣe wá ðiɔŋɔ]; born 5 January 1938)[1] is a Kenyan writer, formerly working in English and now working in Gikuyu. His work includes novels, plays, short stories, and essays, ranging from literary and social criticism to children's literature. He is the founder and editor of the Gikuyu-language journal Mũtĩiri.<br />
<br />
In 1977, Ngũgĩ embarked upon a novel form of theatre in his native Kenya that sought to liberate the theatrical process from what he held to be "the general bourgeois education system", by encouraging spontaneity and audience participation in the performances.[2] His project sought to "demystify" the theatrical process, and to avoid the "process of alienation [that] produces a gallery of active stars and an undifferentiated mass of grateful admirers" which, according to Ngũgĩ, encourages passivity in "ordinary people". Although Ngaahika Ndeenda was a commercial success, it was shut down by the authoritarian Kenyan regime six weeks after its opening.<br />
<br />
Ngũgĩ was subsequently imprisoned for over a year. Adopted as an Amnesty International prisoner of conscience, the artist was released from prison, and fled Kenya. In the United States, he taught at Yale University for some years, and has since also taught at New York University, with a dual professorship in Comparative Literature and Performance Studies, and at the University of California, Irvine. Ngũgĩ has frequently been regarded as a likely candidate for the Nobel Prize in Literature. His son is the author Mũkoma wa Ngũgĩ.<br />
<br />
Ger Harley | EEm 11 August 2018](https://m.psecn.photoshelter.com/img-get2/I00009m02rGKjbyM/fill=/fit=250x250/I00009m02rGKjbyM.jpg)
![Pictured: Ngũgĩ wa Thiong'o<br />
<br />
Ngũgĩ wa Thiong'o (Gikuyu pronunciation: [ᵑɡoɣe wá ðiɔŋɔ]; born 5 January 1938)[1] is a Kenyan writer, formerly working in English and now working in Gikuyu. His work includes novels, plays, short stories, and essays, ranging from literary and social criticism to children's literature. He is the founder and editor of the Gikuyu-language journal Mũtĩiri.<br />
<br />
In 1977, Ngũgĩ embarked upon a novel form of theatre in his native Kenya that sought to liberate the theatrical process from what he held to be "the general bourgeois education system", by encouraging spontaneity and audience participation in the performances.[2] His project sought to "demystify" the theatrical process, and to avoid the "process of alienation [that] produces a gallery of active stars and an undifferentiated mass of grateful admirers" which, according to Ngũgĩ, encourages passivity in "ordinary people". Although Ngaahika Ndeenda was a commercial success, it was shut down by the authoritarian Kenyan regime six weeks after its opening.<br />
<br />
Ngũgĩ was subsequently imprisoned for over a year. Adopted as an Amnesty International prisoner of conscience, the artist was released from prison, and fled Kenya. In the United States, he taught at Yale University for some years, and has since also taught at New York University, with a dual professorship in Comparative Literature and Performance Studies, and at the University of California, Irvine. Ngũgĩ has frequently been regarded as a likely candidate for the Nobel Prize in Literature. His son is the author Mũkoma wa Ngũgĩ.<br />
<br />
Ger Harley | EEm 11 August 2018](https://m.psecn.photoshelter.com/img-get2/I0000YMa2JUVuXYU/fill=/fit=250x250/I0000YMa2JUVuXYU.jpg)
![Pictured: Ngũgĩ wa Thiong'o<br />
<br />
Ngũgĩ wa Thiong'o (Gikuyu pronunciation: [ᵑɡoɣe wá ðiɔŋɔ]; born 5 January 1938)[1] is a Kenyan writer, formerly working in English and now working in Gikuyu. His work includes novels, plays, short stories, and essays, ranging from literary and social criticism to children's literature. He is the founder and editor of the Gikuyu-language journal Mũtĩiri.<br />
<br />
In 1977, Ngũgĩ embarked upon a novel form of theatre in his native Kenya that sought to liberate the theatrical process from what he held to be "the general bourgeois education system", by encouraging spontaneity and audience participation in the performances.[2] His project sought to "demystify" the theatrical process, and to avoid the "process of alienation [that] produces a gallery of active stars and an undifferentiated mass of grateful admirers" which, according to Ngũgĩ, encourages passivity in "ordinary people". Although Ngaahika Ndeenda was a commercial success, it was shut down by the authoritarian Kenyan regime six weeks after its opening.<br />
<br />
Ngũgĩ was subsequently imprisoned for over a year. Adopted as an Amnesty International prisoner of conscience, the artist was released from prison, and fled Kenya. In the United States, he taught at Yale University for some years, and has since also taught at New York University, with a dual professorship in Comparative Literature and Performance Studies, and at the University of California, Irvine. Ngũgĩ has frequently been regarded as a likely candidate for the Nobel Prize in Literature. His son is the author Mũkoma wa Ngũgĩ.<br />
<br />
Ger Harley | EEm 11 August 2018](https://m.psecn.photoshelter.com/img-get2/I0000R7LlsmMXnfI/fill=/fit=250x250/I0000R7LlsmMXnfI.jpg)
