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  • Pictured: Hannah Willetts, a Lyon and Turnbull specialist, was on hand to ensure the sculpture was looking it's best ahead of the auction.<br />
<br />
A model of Sir George Frampton's bronze sculpture of J.M. Barrie's Peter Pan,  valued between £20,000 and £30,000 , will go up for auction by Lyon and Turnbull, Edinburgh, on 6 April.<br />
<br />
Ger Harley | EEm 3 April 2016
    SCT_EEm_Peter_Pan_GER03042016014.jpg
  • Pictured: Hannah Willetts, a Lyon and Turnbull specialist, was on hand to ensure the sculpture was looking it's best ahead of the auction.<br />
<br />
A model of Sir George Frampton's bronze sculpture of J.M. Barrie's Peter Pan,  valued between £20,000 and £30,000 , will go up for auction by Lyon and Turnbull, Edinburgh, on 6 April.<br />
<br />
Ger Harley | EEm 3 April 2016
    SCT_EEm_Peter_Pan_GER03042016013.jpg
  • Pictured: Hannah Willetts, a Lyon and Turnbull specialist, was on hand to ensure the sculpture was looking it's best ahead of the auction.<br />
<br />
A model of Sir George Frampton's bronze sculpture of J.M. Barrie's Peter Pan,  valued between £20,000 and £30,000 , will go up for auction by Lyon and Turnbull, Edinburgh, on 6 April.<br />
<br />
Ger Harley | EEm 3 April 2016
    SCT_EEm_Peter_Pan_GER03042016012.jpg
  • Pictured: Hannah Willetts, a Lyon and Turnbull specialist, was on hand to ensure the sculpture was looking it's best ahead of the auction.<br />
<br />
A model of Sir George Frampton's bronze sculpture of J.M. Barrie's Peter Pan,  valued between £20,000 and £30,000 , will go up for auction by Lyon and Turnbull, Edinburgh, on 6 April.<br />
<br />
Ger Harley | EEm 3 April 2016
    SCT_EEm_Peter_Pan_GER03042016008.jpg
  • Pictured: Hannah Willetts, a Lyon and Turnbull specialist, was on hand to ensure the sculpture was looking it's best ahead of the auction.<br />
<br />
A model of Sir George Frampton's bronze sculpture of J.M. Barrie's Peter Pan,  valued between £20,000 and £30,000 , will go up for auction by Lyon and Turnbull, Edinburgh, on 6 April.<br />
<br />
Ger Harley | EEm 3 April 2016
    SCT_EEm_Peter_Pan_GER03042016005.jpg
  • Pictured: Hannah Willetts, a Lyon and Turnbull specialist, was on hand to ensure the sculpture was looking it's best ahead of the auction.<br />
<br />
A model of Sir George Frampton's bronze sculpture of J.M. Barrie's Peter Pan,  valued between £20,000 and £30,000 , will go up for auction by Lyon and Turnbull, Edinburgh, on 6 April.<br />
<br />
Ger Harley | EEm 3 April 2016
    SCT_EEm_Peter_Pan_GER03042016011.jpg
  • Pictured: Hannah Willetts, a Lyon and Turnbull specialist, was on hand to ensure the sculpture was looking it's best ahead of the auction.<br />
<br />
A model of Sir George Frampton's bronze sculpture of J.M. Barrie's Peter Pan,  valued between £20,000 and £30,000 , will go up for auction by Lyon and Turnbull, Edinburgh, on 6 April.<br />
<br />
Ger Harley | EEm 3 April 2016
    SCT_EEm_Peter_Pan_GER03042016010.jpg
  • Pictured: Hannah Willetts, a Lyon and Turnbull specialist, was on hand to ensure the sculpture was looking it's best ahead of the auction.<br />
<br />
A model of Sir George Frampton's bronze sculpture of J.M. Barrie's Peter Pan,  valued between £20,000 and £30,000 , will go up for auction by Lyon and Turnbull, Edinburgh, on 6 April.<br />
<br />
Ger Harley | EEm 3 April 2016
    SCT_EEm_Peter_Pan_GER03042016009.jpg
  • Pictured: Hannah Willetts, a Lyon and Turnbull specialist, was on hand to ensure the sculpture was looking it's best ahead of the auction.<br />
<br />
A model of Sir George Frampton's bronze sculpture of J.M. Barrie's Peter Pan,  valued between £20,000 and £30,000 , will go up for auction by Lyon and Turnbull, Edinburgh, on 6 April.<br />
<br />
Ger Harley | EEm 3 April 2016
    SCT_EEm_Peter_Pan_GER03042016007.jpg
  • Pictured: Hannah Willetts, a Lyon and Turnbull specialist, was on hand to ensure the sculpture was looking it's best ahead of the auction.<br />
<br />
A model of Sir George Frampton's bronze sculpture of J.M. Barrie's Peter Pan,  valued between £20,000 and £30,000 , will go up for auction by Lyon and Turnbull, Edinburgh, on 6 April.<br />
<br />
Ger Harley | EEm 3 April 2016
    SCT_EEm_Peter_Pan_GER03042016006.jpg
  • Pictured: <br />
<br />
A model of Sir George Frampton's bronze sculpture of J.M. Barrie's Peter Pan,  valued between £20,000 and £30,000 , will go up for auction by Lyon and Turnbull, Edinburgh, on 6 April.<br />
<br />
Ger Harley | EEm 3 April 2016
    SCT_EEm_Peter_Pan_GER03042016003.jpg
  • Cressida is Back! The octopus sculpture on Portobello Beach, damaged in the winter storms, has been repaired and reinstalled at the end of the groyne at the foot of Bath Street, Portobello. The scuplture, created by local artist Lauren Fox (email laurenfox@hotmail.com), was originally created for Art Walk Porty 2015. It has been repaired with financial assistance from The Velvet Easel Gallery, Portobello, the Portobello Community Council and the people of Portobello, just in time for Art Walk 2016 which launches next Thursday, Sept 1st 2016.<br />
<br />
<br />
© Jon Davey/ EEm
    SCT_EEm_Cressida_Restored_Portobello...jpg
  • Cressida is Back! The octopus sculpture on Portobello Beach, damaged in the winter storms, has been repaired and reinstalled at the end of the groyne at the foot of Bath Street, Portobello. The scuplture, created by local artist Lauren Fox (email laurenfox@hotmail.com), was originally created for Art Walk Porty 2015. It has been repaired with financial assistance from The Velvet Easel Gallery, Portobello, the Portobello Community Council and the people of Portobello, just in time for Art Walk 2016 which launches next Thursday, Sept 1st 2016.<br />
<br />
<br />
© Jon Davey/ EEm
    SCT_EEm_Cressida_Restored_Portobello...jpg
  • Cressida is Back! The octopus sculpture on Portobello Beach, damaged in the winter storms, has been repaired and reinstalled at the end of the groyne at the foot of Bath Street, Portobello. The scuplture, created by local artist Lauren Fox (email laurenfox@hotmail.com), was originally created for Art Walk Porty 2015. It has been repaired with financial assistance from The Velvet Easel Gallery, Portobello, the Portobello Community Council and the people of Portobello, just in time for Art Walk 2016 which launches next Thursday, Sept 1st 2016. Pictured: Lauren Fox (right) <br />
<br />
<br />
© Jon Davey/ EEm
    SCT_EEm_Cressida_Restored_Portobello...jpg
  • Cressida is Back! The octopus sculpture on Portobello Beach, damaged in the winter storms, has been repaired and reinstalled at the end of the groyne at the foot of Bath Street, Portobello. The scuplture, created by local artist Lauren Fox (email laurenfox@hotmail.com), was originally created for Art Walk Porty 2015. It has been repaired with financial assistance from The Velvet Easel Gallery, Portobello, the Portobello Community Council and the people of Portobello, just in time for Art Walk 2016 which launches next Thursday, Sept 1st 2016.<br />
<br />
<br />
© Jon Davey/ EEm
    SCT_EEm_Cressida_Restored_Portobello...jpg
  • Cressida is Back! The octopus sculpture on Portobello Beach, damaged in the winter storms, has been repaired and reinstalled at the end of the groyne at the foot of Bath Street, Portobello. The scuplture, created by local artist Lauren Fox (email laurenfox@hotmail.com), was originally created for Art Walk Porty 2015. It has been repaired with financial assistance from The Velvet Easel Gallery, Portobello, the Portobello Community Council and the people of Portobello, just in time for Art Walk 2016 which launches next Thursday, Sept 1st 2016. Pictured: Lauren Fox (right) <br />
<br />
<br />
© Jon Davey/ EEm
    SCT_EEm_Cressida_Restored_Portobello...jpg
  • Pictured: <br />
<br />
A model of Sir George Frampton's bronze sculpture of J.M. Barrie's Peter Pan,  valued between £20,000 and £30,000 , will go up for auction by Lyon and Turnbull, Edinburgh, on 6 April.<br />
<br />
Ger Harley | EEm 3 April 2016
    SCT_EEm_Peter_Pan_GER03042016002.jpg
  • Cressida is Back! The octopus sculpture on Portobello Beach, damaged in the winter storms, has been repaired and reinstalled at the end of the groyne at the foot of Bath Street, Portobello. The scuplture, created by local artist Lauren Fox (email laurenfox@hotmail.com), was originally created for Art Walk Porty 2015. It has been repaired with financial assistance from The Velvet Easel Gallery, Portobello, the Portobello Community Council and the people of Portobello, just in time for Art Walk 2016 which launches next Thursday, Sept 1st 2016.<br />
<br />
<br />
© Jon Davey/ EEm
    SCT_EEm_Cressida_Restored_Portobello...jpg
  • Cressida is Back! The octopus sculpture on Portobello Beach, damaged in the winter storms, has been repaired and reinstalled at the end of the groyne at the foot of Bath Street, Portobello. The scuplture, created by local artist Lauren Fox (email laurenfox@hotmail.com), was originally created for Art Walk Porty 2015. It has been repaired with financial assistance from The Velvet Easel Gallery, Portobello, the Portobello Community Council and the people of Portobello, just in time for Art Walk 2016 which launches next Thursday, Sept 1st 2016. Pictured: Lauren Fox <br />
<br />
<br />
© Jon Davey/ EEm
    SCT_EEm_Cressida_Restored_Portobello...jpg
  • Cressida is Back! The octopus sculpture on Portobello Beach, damaged in the winter storms, has been repaired and reinstalled at the end of the groyne at the foot of Bath Street, Portobello. The scuplture, created by local artist Lauren Fox (email laurenfox@hotmail.com), was originally created for Art Walk Porty 2015. It has been repaired with financial assistance from The Velvet Easel Gallery, Portobello, the Portobello Community Council and the people of Portobello, just in time for Art Walk 2016 which launches next Thursday, Sept 1st 2016. Pictured: Lauren Fox <br />
<br />
<br />
© Jon Davey/ EEm
    SCT_EEm_Cressida_Restored_Portobello...jpg
  • Cressida is Back! The octopus sculpture on Portobello Beach, damaged in the winter storms, has been repaired and reinstalled at the end of the groyne at the foot of Bath Street, Portobello. The scuplture, created by local artist Lauren Fox (email laurenfox@hotmail.com), was originally created for Art Walk Porty 2015. It has been repaired with financial assistance from The Velvet Easel Gallery, Portobello, the Portobello Community Council and the people of Portobello, just in time for Art Walk 2016 which launches next Thursday, Sept 1st 2016. Pictured: Lauren Fox (right) <br />
<br />
<br />
© Jon Davey/ EEm
    SCT_EEm_Cressida_Restored_Portobello...jpg
  • Cressida is Back! The octopus sculpture on Portobello Beach, damaged in the winter storms, has been repaired and reinstalled at the end of the groyne at the foot of Bath Street, Portobello. The scuplture, created by local artist Lauren Fox (email laurenfox@hotmail.com), was originally created for Art Walk Porty 2015. It has been repaired with financial assistance from The Velvet Easel Gallery, Portobello, the Portobello Community Council and the people of Portobello, just in time for Art Walk 2016 which launches next Thursday, Sept 1st 2016. Pictured: Lauren Fox <br />
<br />
<br />
© Jon Davey/ EEm
    SCT_EEm_Cressida_Restored_Portobello...jpg
  • Pictured: <br />
<br />
A model of Sir George Frampton's bronze sculpture of J.M. Barrie's Peter Pan,  valued between £20,000 and £30,000 , will go up for auction by Lyon and Turnbull, Edinburgh, on 6 April.<br />
<br />
Ger Harley | EEm 3 April 2016
    SCT_EEm_Peter_Pan_GER03042016004.jpg
  • Pictured: <br />
<br />
A model of Sir George Frampton's bronze sculpture of J.M. Barrie's Peter Pan,  valued between £20,000 and £30,000 , will go up for auction by Lyon and Turnbull, Edinburgh, on 6 April.<br />
<br />
Ger Harley | EEm 3 April 2016
    SCT_EEm_Peter_Pan_GER03042016001.jpg
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.<br />
<br />
Pictured:
    EEM_Songs for Winter_RD_021117_0020.JPG
  • Portobello's beach octopus sculpture - Cressida - restored after the winter storms and a Spring showers rainbow.  © Jon Davey/ EEm
    SCT_EEm_Cressida-and-the-rainbow-Edi...jpg
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0015.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0012.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0001.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0002.JPG
  • Portobello's beach octopus sculpture - Cressida - restored after the winter storms and a Spring showers rainbow.  © Jon Davey/ EEm
    SCT_EEm_Cressida-and-the-rainbow-Edi...jpg
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0021.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0019.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0018.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0017.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0016.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0013.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0014.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0010.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0011.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0009.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0008.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0007.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0006.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0004.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0005.JPG
  • An exhibition exploring the work of Pauline Burbidge and Charles Poulsen opens at Edinburgh’s City Art Centre on 4 November 2017 to 4 March 2018. <br />
<br />
Drawing is at the heart of both Pauline and Charlie’s practice. Charlie makes large scale drawings on paper and sculpture which he describes as 3D drawings. Pauline thinks of her stitching as drawn lines and also draws directly onto the fabric. Both artists connect strongly with an abstract vision.
    EEM_Songs for Winter_RD_021117_0003.JPG
  • Pebble sculpture at Lulworth Cove in Dorset
    SCT_EEm_Jurrasic_Coast_Dorset_GER_28...JPG
  • Pebble sculpture at Lulworth Cove in Dorset
    SCT_EEm_Jurrasic_Coast_Dorset_GER_28...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Josef Stitts wearing costume from The Tiger That Came for Tea designed by Gracie Martin, Gracie Martin wearing Maid Marion costume designed by Ellie Finch and Rachael Weir and Maddie Williams wearing Bugs Life costumes designed by Zoe Frewin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Io Cleaver wearing a costume from the self-devised ballet Mr Walter The Scientist designed by Yan Smiley
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Maddie Williams and Rachael Weir wearing Bugs Life costumes designed by Zoe Frewin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Maddie Williams and Rachael Weir wearing Bugs Life costumes designed by Zoe Frewin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Maddie Williams and Rachael Weir wearing Bugs Life costumes designed by Zoe Frewin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Gracie Martin wearing Maid Marion costume designed by Ellie Finch
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Gracie Martin wearing Maid Marion costume designed by Ellie Finch
    EEM_ECA Performance Costume Show_Edi...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Curator of Fine Art, Helen Scott and the David Mach sculpture Local Hero
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Curator of Fine Art, Helen Scott and the David Mach sculpture Local Hero
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Hundreds of objects from Edinburgh’s museum and gallery collections have been drawn together and placed on display for the very first time.<br />
<br />
Spanning 60,000 years and over 300 items, Edinburgh Alphabet: An A-Z of the City’s Collections combines artworks and artefacts across four floors of the City Art Centre this summer (Friday 19 May – 8 October).<br />
<br />
Rare and unusual museum items on display for the first time include architect Thomas Hamilton's winning design for the Burns Monument in 1831 and intricate set designs for King’s Theatre pantomimes, which have been conserved ahead of their unveiling in Edinburgh Alphabet.<br />
<br />
They are being displayed alongside stone-age discoveries from archaeological excavations, unique examples of historic glass and ceramics from the Council's applied art collections, toys from the Museum of Childhood and favourites from the City Art Centre collection, including John Duncan's Tristan and Isolde, Cadell's Black Hat and a newly acquired painting Moon by Alison Watt.<br />
<br />
The display coincides with the Scottish Government’s Year of History, Heritage and Archaeology and this summer's Edinburgh Art Festival.<br />
<br />
Pictured: Curator of Fine Art, Helen Scott and the David Mach sculpture Local Hero
    SCT_EEm_Alphabet_Exhibition_Edinburg...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Josef Stitts wearing costume from The Tiger That Came for Tea designed by Gracie Martin, Gracie Martin wearing Maid Marion costume designed by Ellie Finch and Rachael Weir and Maddie Williams wearing Bugs Life costumes designed by Zoe Frewin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
Pictured: Josef Stitts wearing costume from The Tiger That Came for Tea designed by Gracie Martin, Gracie Martin wearing Maid Marion costume designed by Ellie Finch and Rachael Weir and Maddie Williams wearing Bugs Life costumes designed by Zoe Frewin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
Pictured: Josef Stitts wearing costume from The Tiger That Came for Tea designed by Gracie Martin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Josef Stitts wearing costume from The Tiger That Came for Tea designed by Gracie Martin, Gracie Martin wearing Maid Marion costume designed by Ellie Finch and Rachael Weir and Maddie Williams wearing Bugs Life costumes designed by Zoe Frewin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Josef Stitts wearing costume from The Tiger That Came for Tea designed by Gracie Martin, Gracie Martin wearing Maid Marion costume designed by Ellie Finch and Rachael Weir and Maddie Williams wearing Bugs Life costumes designed by Zoe Frewin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Io Cleaver wearing a costume from the self-devised ballet Mr Walter The Scientist designed by Yan Smiley
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Josef Stitts wearing costume from The Tiger That Came for Tea designed by Gracie Martin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Io Cleaver wearing a costume from the self-devised ballet Mr Walter The Scientist designed by Yan Smiley
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Josef Stitts wearing costume from The Tiger That Came for Tea designed by Gracie Martin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Josef Stitts wearing costume from The Tiger That Came for Tea designed by Gracie Martin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Io Cleaver wearing a costume from the self-devised ballet Mr Walter The Scientist designed by Yan Smiley
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Io Cleaver wearing a costume from the self-devised ballet Mr Walter The Scientist designed by Yan Smiley
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Io Cleaver wearing a costume from the self-devised ballet Mr Walter The Scientist designed by Yan Smiley
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Maddie Williams and Rachael Weir wearing Bugs Life costumes designed by Zoe Frewin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Maddie Williams and Rachael Weir wearing Bugs Life costumes designed by Zoe Frewin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Gracie Martin wearing Maid Marion costume designed by Ellie Finch
    EEM_ECA Performance Costume Show_Edi...JPG
  • Spirit of Belfast sculpture by Dan George in Arthur Square near the Victoria Square Shopping Centre in Belfast<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Belfast_AW14102010080.jpg
  • Spirit of Belfast sculpture by Dan George in Arthur Square near the Victoria Square Shopping Centre in Belfast<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Belfast_AW14102010078.jpg
  • Spirit of Belfast sculpture by Dan George in Arthur Square near the Victoria Square Shopping Centre in Belfast<br />
<br />
(c) Andrew Wilson | Edinburgh Elite media
    EEm_Belfast_AW14102010079.jpg
  • Spectacular costumes from a classic children’s book, a sci-fi ballet and the Mexican underworld are showcased by University of Edinburgh students. <br />
<br />
The outfits have been designed by Performance Costume students for a jaw-dropping theatrical show. The Performance Costume Show takes place in Edinburgh College of Art’s Sculpture Court on 18 and 19 May.<br />
<br />
Children’s book favourite The Tiger Who Came to Tea is brought to life by student Gracie Martin’s art deco design. She has imagined the tiger as a 1920s gangster wearing a pinstripe suit and tie.<br />
<br />
Yan Smiley has created characters for a sci-fi ballet set in 17th century Scotland. The outfit is inspired by stained glass windows and rugged Highland landscapes.<br />
<br />
Ellie Finch has made a dazzling outfit for Maid Marian, set in contemporary Mexico. The vibrant outfit highlights iconography linked to the country’s drug cartels, with a headdress of poppies and needles and a kaleidoscopic skirt covered in prints of machine guns and cannabis leaves. <br />
<br />
Irvine Welsh’s novel Marabou Stork Nightmares was the focus of Dayna Ali’s surreal designs. She has created the Marabou Stork – half bird, half football hooligan. He has a large head and beak and wears fluorescent ‘90s sportswear with a specially made Marabou logo.<br />
<br />
Zoe Frewin has created costumes from Disney Pixar’s animation, A Bug’s Life. Inspired by George Orwell’s 1984, the insects wear uniforms and their colour denotes their class in society.<br />
<br />
Pictured: Josef Stitts wearing costume from The Tiger That Came for Tea designed by Gracie Martin
    EEM_ECA Performance Costume Show_Edi...JPG
  • Pictured: Romey Clark from Bonham’s examines a gold and enamel grouse brooch as well as the Grouse Covey.<br />
<br />
A large bronze artwork called ‘Grouse Covey’ by artist Hamish Mackie, features in the sporting sale at Bonham’s Auctioneers in Edinburgh. It is estimated at £2000 - £3000 GBP.<br />
<br />
© Dave Johnston / EEm
    SCT_EEm_magnificent_grouse_sculpture...JPG
  • Pictured: Romey Clark from Bonham’s examines a gold and enamel grouse brooch as well as the Grouse Covey.<br />
<br />
A large bronze artwork called ‘Grouse Covey’ by artist Hamish Mackie, features in the sporting sale at Bonham’s Auctioneers in Edinburgh. It is estimated at £2000 - £3000 GBP.<br />
<br />
© Dave Johnston / EEm
    SCT_EEm_magnificent_grouse_sculpture...JPG
  • Pictured: Romey Clark from Bonham’s examines a gold and enamel grouse brooch as well as the Grouse Covey.<br />
<br />
A large bronze artwork called ‘Grouse Covey’ by artist Hamish Mackie, features in the sporting sale at Bonham’s Auctioneers in Edinburgh. It is estimated at £2000 - £3000 GBP.<br />
<br />
© Dave Johnston / EEm
    SCT_EEm_magnificent_grouse_sculpture...JPG
  • Pictured: Romey Clark from Bonham’s prepares the Grouse Covey.<br />
<br />
A large bronze artwork called ‘Grouse Covey’ by artist Hamish Mackie, features in the sporting sale at Bonham’s Auctioneers in Edinburgh. It is estimated at £2000 - £3000 GBP.<br />
<br />
© Dave Johnston / EEm
    SCT_EEm_magnificent_grouse_sculpture...JPG
  • Pictured: Romey Clark from Bonham’s prepares the Grouse Covey.<br />
<br />
A large bronze artwork called ‘Grouse Covey’ by artist Hamish Mackie, features in the sporting sale at Bonham’s Auctioneers in Edinburgh. It is estimated at £2000 - £3000 GBP.<br />
<br />
© Dave Johnston / EEm
    SCT_EEm_magnificent_grouse_sculpture...JPG
  • Pictured: Romey Clark from Bonham’s examines a gold and enamel grouse brooch as well as the Grouse Covey.<br />
<br />
A large bronze artwork called ‘Grouse Covey’ by artist Hamish Mackie, features in the sporting sale at Bonham’s Auctioneers in Edinburgh. It is estimated at £2000 - £3000 GBP.<br />
<br />
© Dave Johnston / EEm
    SCT_EEm_magnificent_grouse_sculpture...JPG
  • Pictured: Romey Clark from Bonham’s prepares the Grouse Covey.<br />
<br />
A large bronze artwork called ‘Grouse Covey’ by artist Hamish Mackie, features in the sporting sale at Bonham’s Auctioneers in Edinburgh. It is estimated at £2000 - £3000 GBP.<br />
<br />
© Dave Johnston / EEm
    SCT_EEm_magnificent_grouse_sculpture...JPG
  • Pictured: Romey Clark from Bonham’s prepares the Grouse Covey.<br />
<br />
A large bronze artwork called ‘Grouse Covey’ by artist Hamish Mackie, features in the sporting sale at Bonham’s Auctioneers in Edinburgh. It is estimated at £2000 - £3000 GBP.<br />
<br />
© Dave Johnston / EEm
    SCT_EEm_magnificent_grouse_sculpture...JPG
  • Pictured: Romey Clark from Bonham’s prepares the Grouse Covey.<br />
<br />
A large bronze artwork called ‘Grouse Covey’ by artist Hamish Mackie, features in the sporting sale at Bonham’s Auctioneers in Edinburgh. It is estimated at £2000 - £3000 GBP.<br />
<br />
© Dave Johnston / EEm
    SCT_EEm_magnificent_grouse_sculpture...JPG
  • Pictured: Romey Clark from Bonham’s prepares the Grouse Covey.<br />
<br />
A large bronze artwork called ‘Grouse Covey’ by artist Hamish Mackie, features in the sporting sale at Bonham’s Auctioneers in Edinburgh. It is estimated at £2000 - £3000 GBP.<br />
<br />
© Dave Johnston / EEm
    SCT_EEm_magnificent_grouse_sculpture...JPG
  • Pictured: Romey Clark from Bonham’s prepares the Grouse Covey.<br />
<br />
A large bronze artwork called ‘Grouse Covey’ by artist Hamish Mackie, features in the sporting sale at Bonham’s Auctioneers in Edinburgh. It is estimated at £2000 - £3000 GBP.<br />
<br />
© Dave Johnston / EEm
    SCT_EEm_magnificent_grouse_sculpture...JPG
  • Pictured: Romey Clark from Bonham’s prepares the Grouse Covey.<br />
<br />
A large bronze artwork called ‘Grouse Covey’ by artist Hamish Mackie, features in the sporting sale at Bonham’s Auctioneers in Edinburgh. It is estimated at £2000 - £3000 GBP.<br />
<br />
© Dave Johnston / EEm
    SCT_EEm_magnificent_grouse_sculpture...JPG
  • Beast From The East 2 (or is it Return of the Beast From The East?) buffets Cressida, the beach octopus sculture on Portobello Beach, Edinburgh. © Jon Davey/ EEm
    SCT_EEm_Beast_from_the_East_II_Edinb...jpg
  • Beast From The East 2 (or is it Return of the Beast From The East?) buffets Cressida, the beach octopus sculture on Portobello Beach, Edinburgh. © Jon Davey/ EEm
    SCT_EEm_Beast_from_the_East_II_Edinb...jpg
  • Beast From The East 2 (or is it Return of the Beast From The East?) buffets Cressida, the beach octopus sculture on Portobello Beach, Edinburgh. © Jon Davey/ EEm
    SCT_EEm_Beast_from_the_East_II_Edinb...jpg
  • Beast From The East 2 (or is it Return of the Beast From The East?) buffets Cressida, the beach octopus sculture on Portobello Beach, Edinburgh. © Jon Davey/ EEm
    SCT_EEm_Beast_from_the_East_II_Edinb...jpg
  • Across Portobello, Edinburgh artists are getting ready for this weekend's Art Walk Porty. A mixture of open studios, pop-up exhibition spaces, artists market and site-specitic art all over the Edinburgh suburb this weekend. The official launch takes place tonight (Thursday) but the event runs from Fri-Sun Sept 2nd-4th. 2016. Pictured: DeirdreMacleod with her work "Park and Ride" at A449 Architects.<br />
<br />
<br />
© Jon Davey/ EEm
    SCT_EEm_Art_Walk_Porty_Portobello_JD...jpg
  • Across Portobello, Edinburgh artists are getting ready for this weekend's Art Walk Porty. A mixture of open studios, pop-up exhibition spaces, artists market and site-specitic art all over the Edinburgh suburb this weekend. The official launch takes place tonight (Thursday) but the event runs from Fri-Sun Sept 2nd-4th. 2016. Pictured: Porty Light Box, featuring work by Jon Davey and Jen Russell. <br />
<br />
<br />
© Jon Davey/ EEm
    SCT_EEm_Art_Walk_Porty_Portobello_JD...jpg
  • Across Portobello, Edinburgh artists are getting ready for this weekend's Art Walk Porty. A mixture of open studios, pop-up exhibition spaces, artists market and site-specitic art all over the Edinburgh suburb this weekend. The official launch takes place tonight (Thursday) but the event runs from Fri-Sun Sept 2nd-4th. 2016. Pictured: Juliana Capes installs her work at the Joppa Bandstand. <br />
<br />
<br />
© Jon Davey/ EEm
    SCT_EEm_Art_Walk_Porty_Portobello_JD...jpg
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