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  • Angelin Preljocaj’s MC 14/22 is a hymn to the male body, a meeting of the spiritual and the carnal, a glorification of masculinity and a condemnation of force. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Angelin Preljocaj’s MC 14/22 is a hymn to the male body, a meeting of the spiritual and the carnal, a glorification of masculinity and a condemnation of force. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Angelin Preljocaj’s MC 14/22 (Ceci est mon corps) is a hymn to the male body, a meeting of the spiritual and the carnal, a glorification of masculinity and a condemnation of force. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Angelin Preljocaj’s MC 14/22 is a hymn to the male body, a meeting of the spiritual and the carnal, a glorification of masculinity and a condemnation of force. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Angelin Preljocaj’s MC 14/22 is a hymn to the male body, a meeting of the spiritual and the carnal, a glorification of masculinity and a condemnation of force. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Angelin Preljocaj’s MC 14/22 is a hymn to the male body, a meeting of the spiritual and the carnal, a glorification of masculinity and a condemnation of force. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Angelin Preljocaj’s MC 14/22 is a hymn to the male body, a meeting of the spiritual and the carnal, a glorification of masculinity and a condemnation of force. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Angelin Preljocaj’s MC 14/22 is a hymn to the male body, a meeting of the spiritual and the carnal, a glorification of masculinity and a condemnation of force. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Angelin Preljocaj’s MC 14/22 is a hymn to the male body, a meeting of the spiritual and the carnal, a glorification of masculinity and a condemnation of force. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • One of the highlights of the 2016 Edinburgh International Festival programme is the highly acclaimed production of Bellini’s Norma with left to right Moshe Leiser (Director), Patrice Caurier(Director), Cecilia Bartoli (Norma) and Diego Fasolis(Conductor) at the Festival Theatre, Edinburgh,<br />
1st August 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Cecilia_Bartoli_BA0108201600...jpg
  • Angelin Preljocaj’s MC 14/22 is a hymn to the male body, a meeting of the spiritual and the carnal, a glorification of masculinity and a condemnation of force. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Angelin Preljocaj’s MC 14/22 is a hymn to the male body, a meeting of the spiritual and the carnal, a glorification of masculinity and a condemnation of force. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Angelin Preljocaj’s MC 14/22 is a hymn to the male body, a meeting of the spiritual and the carnal, a glorification of masculinity and a condemnation of force. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Angelin Preljocaj’s MC 14/22 is a hymn to the male body, a meeting of the spiritual and the carnal, a glorification of masculinity and a condemnation of force. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Angelin Preljocaj’s MC 14/22 is a hymn to the male body, a meeting of the spiritual and the carnal, a glorification of masculinity and a condemnation of force. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Angelin Preljocaj’s MC 14/22 (Ceci est mon corps) is a hymn to the male body, a meeting of the spiritual and the carnal, a glorification of masculinity and a condemnation of force. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Angelin Preljocaj’s MC 14/22 is a hymn to the male body, a meeting of the spiritual and the carnal, a glorification of masculinity and a condemnation of force. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Angelin Preljocaj’s MC 14/22 is a hymn to the male body, a meeting of the spiritual and the carnal, a glorification of masculinity and a condemnation of force. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Angelin Preljocaj’s MC 14/22 is a hymn to the male body, a meeting of the spiritual and the carnal, a glorification of masculinity and a condemnation of force. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Angelin Preljocaj’s MC 14/22 is a hymn to the male body, a meeting of the spiritual and the carnal, a glorification of masculinity and a condemnation of force. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Angelin Preljocaj’s MC 14/22 is a hymn to the male body, a meeting of the spiritual and the carnal, a glorification of masculinity and a condemnation of force. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • A 38-strong corps de ballet is transformed into a swarming, scurrying mass of insect-like creatures in the multi-award winning Emergence by Crystal Pite, which draws parallels between classical ballet’s traditional hierarchies and the swarm intelligence of bees. Festival Theatre 18th August, 2016, (c) Brian Anderson | Edinburgh Elite media
    SCT_EEm_Scottish_Ballet_Edinburgh_BA...jpg
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0089.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0086.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0082.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0083.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0081.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0080.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0077.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0074.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0073.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0072.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0071.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0069.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0065.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0062.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0063.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0059.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0058.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0057.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0055.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0052.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0050.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0048.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0046.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0047.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0045.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0044.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0042.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0041.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0040.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0039.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0038.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0033.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0028.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0027.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0025.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0024.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0023.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0021.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0020.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0017.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0013.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0011.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0006.JPG
  • Rossini's La Cenerentola is retold by Norwegian director Stefan Herheim’s extraordinary production of Rossini’s effervescent Cinderella opera. The opera is part of the Edinburgh International Festival and runs at the Festival Theatre from 24-26 August 2018.
    EEM_La Cenerentola_RD_240818_0004.JPG
  • A new solo work by Akram Khan, marking the great dancer's final performances in a full-length production. XENOS means ‘stranger’ or ‘foreigner’. It confronts the tragedy of the First World War through the eyes of a shell-shocked Indian soldier in the trenches, forced to fight in a conflict that is not his.<br />
<br />
The production is part of the Edinburgh International Festival and runs from 16 - 18 August 2018 at the Festival Theatre
    EEM_Xenos_RD_160818_027.JPG
  • A new solo work by Akram Khan, marking the great dancer's final performances in a full-length production. XENOS means ‘stranger’ or ‘foreigner’. It confronts the tragedy of the First World War through the eyes of a shell-shocked Indian soldier in the trenches, forced to fight in a conflict that is not his.<br />
<br />
The production is part of the Edinburgh International Festival and runs from 16 - 18 August 2018 at the Festival Theatre
    EEM_Xenos_RD_160818_025.JPG
  • A new solo work by Akram Khan, marking the great dancer's final performances in a full-length production. XENOS means ‘stranger’ or ‘foreigner’. It confronts the tragedy of the First World War through the eyes of a shell-shocked Indian soldier in the trenches, forced to fight in a conflict that is not his.<br />
<br />
The production is part of the Edinburgh International Festival and runs from 16 - 18 August 2018 at the Festival Theatre
    EEM_Xenos_RD_160818_023.JPG
  • A new solo work by Akram Khan, marking the great dancer's final performances in a full-length production. XENOS means ‘stranger’ or ‘foreigner’. It confronts the tragedy of the First World War through the eyes of a shell-shocked Indian soldier in the trenches, forced to fight in a conflict that is not his.<br />
<br />
The production is part of the Edinburgh International Festival and runs from 16 - 18 August 2018 at the Festival Theatre
    EEM_Xenos_RD_160818_019.JPG
  • A new solo work by Akram Khan, marking the great dancer's final performances in a full-length production. XENOS means ‘stranger’ or ‘foreigner’. It confronts the tragedy of the First World War through the eyes of a shell-shocked Indian soldier in the trenches, forced to fight in a conflict that is not his.<br />
<br />
The production is part of the Edinburgh International Festival and runs from 16 - 18 August 2018 at the Festival Theatre
    EEM_Xenos_RD_160818_018.JPG
  • A new solo work by Akram Khan, marking the great dancer's final performances in a full-length production. XENOS means ‘stranger’ or ‘foreigner’. It confronts the tragedy of the First World War through the eyes of a shell-shocked Indian soldier in the trenches, forced to fight in a conflict that is not his.<br />
<br />
The production is part of the Edinburgh International Festival and runs from 16 - 18 August 2018 at the Festival Theatre
    EEM_Xenos_RD_160818_017.JPG
  • A new solo work by Akram Khan, marking the great dancer's final performances in a full-length production. XENOS means ‘stranger’ or ‘foreigner’. It confronts the tragedy of the First World War through the eyes of a shell-shocked Indian soldier in the trenches, forced to fight in a conflict that is not his.<br />
<br />
The production is part of the Edinburgh International Festival and runs from 16 - 18 August 2018 at the Festival Theatre
    EEM_Xenos_RD_160818_013.JPG
  • A new solo work by Akram Khan, marking the great dancer's final performances in a full-length production. XENOS means ‘stranger’ or ‘foreigner’. It confronts the tragedy of the First World War through the eyes of a shell-shocked Indian soldier in the trenches, forced to fight in a conflict that is not his.<br />
<br />
The production is part of the Edinburgh International Festival and runs from 16 - 18 August 2018 at the Festival Theatre
    EEM_Xenos_RD_160818_011.JPG
  • A new solo work by Akram Khan, marking the great dancer's final performances in a full-length production. XENOS means ‘stranger’ or ‘foreigner’. It confronts the tragedy of the First World War through the eyes of a shell-shocked Indian soldier in the trenches, forced to fight in a conflict that is not his.<br />
<br />
The production is part of the Edinburgh International Festival and runs from 16 - 18 August 2018 at the Festival Theatre
    EEM_Xenos_RD_160818_006.JPG
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